約 5,595,725 件
https://w.atwiki.jp/je-pu-pu-mondai/pages/29.html
morgan, john pierpont [licata, riccardo|http //licata-riccardo.topo20.org] - [licata, riccardo|HTTP //licata-riccardo.topo20.org] licata, riccardo, licata, riccardo, licata, riccardo [licata, riccardo|http //licata-riccardo.topo20.org]; [hell|http //hell.fifa2007it.org] - [hell|HTTP //hell.fifa2007it.org] hell, hell, hell [hell|http //hell.fifa2007it.org]; [ackermann, max|http //ackermann-max.trevisos.org] - [ackermann, max|HTTP //ackermann-max.trevisos.org] ackermann, max, ackermann, max, ackermann, max [ackermann, max|http //ackermann-max.trevisos.org]; [qixia si|http //qixia-si.realitsen.info] - [qixia si|HTTP //qixia-si.realitsen.info] qixia si, qixia si, qixia si [qixia si|http //qixia-si.realitsen.info]; [alex and emma|http //alex-and.design4italy.org] - [alex and emma|HTTP //alex-and.design4italy.org] alex and emma, alex and emma, alex and emma [alex and emma|http //alex-and.design4italy.org]; [capelle, jan van de-|http //capelle-jan.win-for-italy.info] - [capelle, jan van de-|HTTP //capelle-jan.win-for-italy.info] capelle, jan van de-, capelle, jan van de-, capelle, jan van de- [capelle, jan van de-|http //capelle-jan.win-for-italy.info]; [bikom|http //bikom.trevisos.org] - [bikom|HTTP //bikom.trevisos.org] bikom, bikom, bikom [bikom|http //bikom.trevisos.org]; [paray-le-monial|http //paraylemonial.realitsen.info] - [paray-le-monial|HTTP //paraylemonial.realitsen.info] paray-le-monial, paray-le-monial, paray-le-monial [paray-le-monial|http //paraylemonial.realitsen.info]; [mitsuyoshi tosa|http //mitsuyoshi-tosa.realitsen.info] - [mitsuyoshi tosa|HTTP //mitsuyoshi-tosa.realitsen.info] mitsuyoshi tosa, mitsuyoshi tosa, mitsuyoshi tosa [mitsuyoshi tosa|http //mitsuyoshi-tosa.realitsen.info]; [four brothers - quattro fratelli|http //four-brothers.fifa2007it.org] - [four brothers - quattro fratelli|HTTP //four-brothers.fifa2007it.org] four brothers - quattro fratelli, four brothers - quattro fratelli, four brothers - quattro fratelli [four brothers - quattro fratelli|http //four-brothers.fifa2007it.org]; [baumhauer, joseph|http //baumhauer-joseph.trevisos.org] - [baumhauer, joseph|HTTP //baumhauer-joseph.trevisos.org] baumhauer, joseph, baumhauer, joseph, baumhauer, joseph [baumhauer, joseph|http //baumhauer-joseph.trevisos.org]; [bentley, john francis|http //bentley-john.trevisos.org] - [bentley, john francis|HTTP //bentley-john.trevisos.org] bentley, john francis, bentley, john francis, bentley, john francis [bentley, john francis|http //bentley-john.trevisos.org]; [konarak|http //konarak.topo20.org] - [konarak|HTTP //konarak.topo20.org] konarak, konarak, konarak [konarak|http //konarak.topo20.org]; [beauvais|http //beauvais.trevisos.org] - [beauvais|HTTP //beauvais.trevisos.org] beauvais, beauvais, beauvais [beauvais|http //beauvais.trevisos.org]; [il viaggio di felicia|http //il-viaggio.motnolado.org] - [il viaggio di felicia|HTTP //il-viaggio.motnolado.org] il viaggio di felicia, il viaggio di felicia, il viaggio di felicia [il viaggio di felicia|http //il-viaggio.motnolado.org]; [fanum voltumnae|http //fanum-voltumnae.win-for-italy.info] - [fanum voltumnae|HTTP //fanum-voltumnae.win-for-italy.info] fanum voltumnae, fanum voltumnae, fanum voltumnae [fanum voltumnae|http //fanum-voltumnae.win-for-italy.info]; [halle|http //halle.topo20.org] - [halle|HTTP //halle.topo20.org] halle, halle, halle [halle|http //halle.topo20.org]; [divisionismo|http //divisionismo.win-for-italy.info] - [divisionismo|HTTP //divisionismo.win-for-italy.info] divisionismo, divisionismo, divisionismo [divisionismo|http //divisionismo.win-for-italy.info]; [vivin, louis|http //vivin-louis.design4italy.org] - [vivin, louis|HTTP //vivin-louis.design4italy.org] vivin, louis, vivin, louis, vivin, louis [vivin, louis|http //vivin-louis.design4italy.org]; [thule springs|http //thule-springs.design4italy.org] - [thule springs|HTTP //thule-springs.design4italy.org] thule springs, thule springs, thule springs [thule springs|http //thule-springs.design4italy.org]; [abercrombie, sir patrick|http //abercrombie-sir.trevisos.org] - [abercrombie, sir patrick|HTTP //abercrombie-sir.trevisos.org] abercrombie, sir patrick, abercrombie, sir patrick, abercrombie, sir patrick [abercrombie, sir patrick|http //abercrombie-sir.trevisos.org]; [tessenow heinrich|http //tessenow-heinrich.design4italy.org] - [tessenow heinrich|HTTP //tessenow-heinrich.design4italy.org] tessenow heinrich, tessenow heinrich, tessenow heinrich [tessenow heinrich|http //tessenow-heinrich.design4italy.org]; [ebrach|http //ebrach.win-for-italy.info] - [ebrach|HTTP //ebrach.win-for-italy.info] ebrach, ebrach, ebrach [ebrach|http //ebrach.win-for-italy.info]; [piattabanda|http //piattabanda.realitsen.info] - [piattabanda|HTTP //piattabanda.realitsen.info] piattabanda, piattabanda, piattabanda [piattabanda|http //piattabanda.realitsen.info]; [piles, roger de-|http //piles-roger.realitsen.info] - [piles, roger de-|HTTP //piles-roger.realitsen.info] piles, roger de-, piles, roger de-, piles, roger de- [piles, roger de-|http //piles-roger.realitsen.info]; [charlotte gray|http //charlotte-gray.fifa2007it.org] - [charlotte gray|HTTP //charlotte-gray.fifa2007it.org] charlotte gray, charlotte gray, charlotte gray [charlotte gray|http //charlotte-gray.fifa2007it.org]; [mills, robert|http //mills-robert.realitsen.info] - [mills, robert|HTTP //mills-robert.realitsen.info] mills, robert, mills, robert, mills, robert [mills, robert|http //mills-robert.realitsen.info]; [belfagor - il fantasma del louvre|http //belfagor-.fifa2007it.org] - [belfagor - il fantasma del louvre|HTTP //belfagor-.fifa2007it.org] belfagor - il fantasma del louvre, belfagor - il fantasma del louvre, belfagor - il fantasma del louvre [belfagor - il fantasma del louvre|http //belfagor-.fifa2007it.org]; [cenerentola a parigi|http //cenerentola-a.fifa2007it.org] - [cenerentola a parigi|HTTP //cenerentola-a.fifa2007it.org] cenerentola a parigi, cenerentola a parigi, cenerentola a parigi [cenerentola a parigi|http //cenerentola-a.fifa2007it.org]; [la spirale della vendetta|http //la-spirale.motnolado.org] - [la spirale della vendetta|HTTP //la-spirale.motnolado.org] la spirale della vendetta, la spirale della vendetta, la spirale della vendetta [la spirale della vendetta|http //la-spirale.motnolado.org]; [praetexta|http //praetexta.realitsen.info] - [praetexta|HTTP //praetexta.realitsen.info] praetexta, praetexta, praetexta [praetexta|http //praetexta.realitsen.info]; [fashion|http //fashion.win-for-italy.info] - [fashion|HTTP //fashion.win-for-italy.info] fashion, fashion, fashion [fashion|http //fashion.win-for-italy.info]; [hilton, roger|http //hilton-roger.topo20.org] - [hilton, roger|HTTP //hilton-roger.topo20.org] hilton, roger, hilton, roger, hilton, roger [hilton, roger|http //hilton-roger.topo20.org]; [lavedan, pierre|http //lavedan-pierre.topo20.org] - [lavedan, pierre|HTTP //lavedan-pierre.topo20.org] lavedan, pierre, lavedan, pierre, lavedan, pierre [lavedan, pierre|http //lavedan-pierre.topo20.org]; [pontecagnano faiano|http //pontecagnano-faiano.realitsen.info] - [pontecagnano faiano|HTTP //pontecagnano-faiano.realitsen.info] pontecagnano faiano, pontecagnano faiano, pontecagnano faiano [pontecagnano faiano|http //pontecagnano-faiano.realitsen.info]; [susanna|http //susanna.design4italy.org] - [susanna|HTTP //susanna.design4italy.org] susanna, susanna, susanna [susanna|http //susanna.design4italy.org]; [bambole russe|http //bambole-russe.fifa2007it.org] - [bambole russe|HTTP //bambole-russe.fifa2007it.org] bambole russe, bambole russe, bambole russe [bambole russe|http //bambole-russe.fifa2007it.org]; [commedia sexy|http //commedia-sexy.fifa2007it.org] - [commedia sexy|HTTP //commedia-sexy.fifa2007it.org] commedia sexy, commedia sexy, commedia sexy [commedia sexy|http //commedia-sexy.fifa2007it.org]; [buke-zukuri|http //bukezukuri.trevisos.org] - [buke-zukuri|HTTP //bukezukuri.trevisos.org] buke-zukuri, buke-zukuri, buke-zukuri [buke-zukuri|http //bukezukuri.trevisos.org]; [costantino i (imperatore romano)|http //costantino-i.win-for-italy.info] - [costantino i (imperatore romano)|HTTP //costantino-i.win-for-italy.info] costantino i (imperatore romano), costantino i (imperatore romano), costantino i (imperatore romano) [costantino i (imperatore romano)|http //costantino-i.win-for-italy.info]; [pawdawmu|http //pawdawmu.realitsen.info] - [pawdawmu|HTTP //pawdawmu.realitsen.info] pawdawmu, pawdawmu, pawdawmu [pawdawmu|http //pawdawmu.realitsen.info]; [gioco a due|http //gioco-a.fifa2007it.org] - [gioco a due|HTTP //gioco-a.fifa2007it.org] gioco a due, gioco a due, gioco a due [gioco a due|http //gioco-a.fifa2007it.org]; [leptis magna|http //leptis-magna.topo20.org] - [leptis magna|HTTP //leptis-magna.topo20.org] leptis magna, leptis magna, leptis magna [leptis magna|http //leptis-magna.topo20.org]; [killing zoe|http //killing-zoe.motnolado.org] - [killing zoe|HTTP //killing-zoe.motnolado.org] killing zoe, killing zoe, killing zoe [killing zoe|http //killing-zoe.motnolado.org]; [puy, jean|http //puy-jean.realitsen.info] - [puy, jean|HTTP //puy-jean.realitsen.info] puy, jean, puy, jean, puy, jean [puy, jean|http //puy-jean.realitsen.info]; [jerry maguire|http //jerry-maguire.motnolado.org] - [jerry maguire|HTTP //jerry-maguire.motnolado.org] jerry maguire, jerry maguire, jerry maguire [jerry maguire|http //jerry-maguire.motnolado.org]; [brouet, auguste|http //brouet-auguste.trevisos.org] - [brouet, auguste|HTTP //brouet-auguste.trevisos.org] brouet, auguste, brouet, auguste, brouet, auguste [brouet, auguste|http //brouet-auguste.trevisos.org]; [pileta, la-|http //pileta-la.realitsen.info] - [pileta, la-|HTTP //pileta-la.realitsen.info] pileta, la-, pileta, la-, pileta, la- [pileta, la-|http //pileta-la.realitsen.info]; [campanile|http //campanile.win-for-italy.info] - [campanile|HTTP //campanile.win-for-italy.info] campanile, campanile, campanile [campanile|http //campanile.win-for-italy.info]; [arrieta, pedro de-|http //arrieta-pedro.trevisos.org] - [arrieta, pedro de-|HTTP //arrieta-pedro.trevisos.org] arrieta, pedro de-, arrieta, pedro de-, arrieta, pedro de- [arrieta, pedro de-|http //arrieta-pedro.trevisos.org]; [cambridge (u.s.a.)|http //cambridge-usa.win-for-italy.info] - [cambridge (u.s.a.)|HTTP //cambridge-usa.win-for-italy.info] cambridge (u.s.a.), cambridge (u.s.a.), cambridge (u.s.a.) [cambridge (u.s.a.)|http //cambridge-usa.win-for-italy.info]; [arellano, juan de-|http //arellano-juan.trevisos.org] - [arellano, juan de-|HTTP //arellano-juan.trevisos.org] arellano, juan de-, arellano, juan de-, arellano, juan de- [arellano, juan de-|http //arellano-juan.trevisos.org]; [la cameriera|http //la-cameriera.motnolado.org] - [la cameriera|HTTP //la-cameriera.motnolado.org] la cameriera, la cameriera, la cameriera [la cameriera|http //la-cameriera.motnolado.org]; [honegger, david|http //honegger-david.topo20.org] - [honegger, david|HTTP //honegger-david.topo20.org] honegger, david, honegger, david, honegger, david [honegger, david|http //honegger-david.topo20.org]; [hals, frans|http //hals-frans.topo20.org] - [hals, frans|HTTP //hals-frans.topo20.org] hals, frans, hals, frans, hals, frans [hals, frans|http //hals-frans.topo20.org]; [black simphony|http //black-simphony.fifa2007it.org] - [black simphony|HTTP //black-simphony.fifa2007it.org] black simphony, black simphony, black simphony [black simphony|http //black-simphony.fifa2007it.org]; [last night|http //last-night.motnolado.org] - [last night|HTTP //last-night.motnolado.org] last night, last night, last night [last night|http //last-night.motnolado.org]; [spencer, stanley|http //spencer-stanley.design4italy.org] - [spencer, stanley|HTTP //spencer-stanley.design4italy.org] spencer, stanley, spencer, stanley, spencer, stanley [spencer, stanley|http //spencer-stanley.design4italy.org]; [gertrud|http //gertrud.fifa2007it.org] - [gertrud|HTTP //gertrud.fifa2007it.org] gertrud, gertrud, gertrud [gertrud|http //gertrud.fifa2007it.org]; [tachi|http //tachi.design4italy.org] - [tachi|HTTP //tachi.design4italy.org] tachi, tachi, tachi [tachi|http //tachi.design4italy.org]; [tisi, benvenuto|http //tisi-benvenuto.design4italy.org] - [tisi, benvenuto|HTTP //tisi-benvenuto.design4italy.org] tisi, benvenuto, tisi, benvenuto, tisi, benvenuto [tisi, benvenuto|http //tisi-benvenuto.design4italy.org]; [novilara|http //novilara.realitsen.info] - [novilara|HTTP //novilara.realitsen.info] novilara, novilara, novilara [novilara|http //novilara.realitsen.info]; [dragonfly|http //dragonfly.fifa2007it.org] - [dragonfly|HTTP //dragonfly.fifa2007it.org] dragonfly, dragonfly, dragonfly [dragonfly|http //dragonfly.fifa2007it.org]; [ricostruire|http //ricostruire.design4italy.org] - [ricostruire|HTTP //ricostruire.design4italy.org] ricostruire, ricostruire, ricostruire [ricostruire|http //ricostruire.design4italy.org]; [base (architettura)|http //base-architettura.trevisos.org] - [base (architettura)|HTTP //base-architettura.trevisos.org] base (architettura), base (architettura), base (architettura) [base (architettura)|http //base-architettura.trevisos.org]; [muybridge, eadweard|http //muybridge-eadweard.realitsen.info] - [muybridge, eadweard|HTTP //muybridge-eadweard.realitsen.info] muybridge, eadweard, muybridge, eadweard, muybridge, eadweard [muybridge, eadweard|http //muybridge-eadweard.realitsen.info]; [kahn, louis isadore|http //kahn-louis.topo20.org] - [kahn, louis isadore|HTTP //kahn-louis.topo20.org] kahn, louis isadore, kahn, louis isadore, kahn, louis isadore [kahn, louis isadore|http //kahn-louis.topo20.org]; [looy, jacobus van-|http //looy-jacobus.topo20.org] - [looy, jacobus van-|HTTP //looy-jacobus.topo20.org] looy, jacobus van-, looy, jacobus van-, looy, jacobus van- [looy, jacobus van-|http //looy-jacobus.topo20.org]; [confessions of a teenage drama queen|http //confessions-a.fifa2007it.org] - [confessions of a teenage drama queen|HTTP //confessions-a.fifa2007it.org] confessions of a teenage drama queen, confessions of a teenage drama queen, confessions of a teenage drama queen [confessions of a teenage drama queen|http //confessions-a.fifa2007it.org]; [liberty|http //liberty.topo20.org] - [liberty|HTTP //liberty.topo20.org] liberty, liberty, liberty [liberty|http //liberty.topo20.org]; [brinckmann, albert erich|http //brinckmann-albert.trevisos.org] - [brinckmann, albert erich|HTTP //brinckmann-albert.trevisos.org] brinckmann, albert erich, brinckmann, albert erich, brinckmann, albert erich [brinckmann, albert erich|http //brinckmann-albert.trevisos.org]; [carne tremula|http //carne-tremula.fifa2007it.org] - [carne tremula|HTTP //carne-tremula.fifa2007it.org] carne tremula, carne tremula, carne tremula [carne tremula|http //carne-tremula.fifa2007it.org]; [a good lawyer s wife|http //a-good.fifa2007it.org] - [a good lawyer s wife|HTTP //a-good.fifa2007it.org] a good lawyer s wife, a good lawyer s wife, a good lawyer s wife [a good lawyer s wife|http //a-good.fifa2007it.org]; [bourgeois, victor|http //bourgeois-victor.trevisos.org] - [bourgeois, victor|HTTP //bourgeois-victor.trevisos.org] bourgeois, victor, bourgeois, victor, bourgeois, victor [bourgeois, victor|http //bourgeois-victor.trevisos.org]; [gods and generals|http //gods-and.fifa2007it.org] - [gods and generals|HTTP //gods-and.fifa2007it.org] gods and generals, gods and generals, gods and generals [gods and generals|http //gods-and.fifa2007it.org]; [fragile|http //fragile.fifa2007it.org] - [fragile|HTTP //fragile.fifa2007it.org] fragile, fragile, fragile [fragile|http //fragile.fifa2007it.org]; [kitaj, ronald b.|http //kitaj-ronald.topo20.org] - [kitaj, ronald b.|HTTP //kitaj-ronald.topo20.org] kitaj, ronald b., kitaj, ronald b., kitaj, ronald b. [kitaj, ronald b.|http //kitaj-ronald.topo20.org]; [foster, sir norman|http //foster-sir.win-for-italy.info] - [foster, sir norman|HTTP //foster-sir.win-for-italy.info] foster, sir norman, foster, sir norman, foster, sir norman [foster, sir norman|http //foster-sir.win-for-italy.info]; [vos, cornelis de-|http //vos-cornelis.design4italy.org] - [vos, cornelis de-|HTTP //vos-cornelis.design4italy.org] vos, cornelis de-, vos, cornelis de-, vos, cornelis de- [vos, cornelis de-|http //vos-cornelis.design4italy.org]; [swatch|http //swatch.design4italy.org] - [swatch|HTTP //swatch.design4italy.org] swatch, swatch, swatch [swatch|http //swatch.design4italy.org]; [venet, bernard|http //venet-bernard.design4italy.org] - [venet, bernard|HTTP //venet-bernard.design4italy.org] venet, bernard, venet, bernard, venet, bernard [venet, bernard|http //venet-bernard.design4italy.org]; [top|http //top.design4italy.org] - [top|HTTP //top.design4italy.org] top, top, top [top|http //top.design4italy.org]; [mora|http //mora.realitsen.info] - [mora|HTTP //mora.realitsen.info] mora, mora, mora [mora|http //mora.realitsen.info]; [big fish|http //big-fish.fifa2007it.org] - [big fish|HTTP //big-fish.fifa2007it.org] big fish, big fish, big fish [big fish|http //big-fish.fifa2007it.org]; [bosch y gimpera, pedro|http //bosch-y.trevisos.org] - [bosch y gimpera, pedro|HTTP //bosch-y.trevisos.org] bosch y gimpera, pedro, bosch y gimpera, pedro, bosch y gimpera, pedro [bosch y gimpera, pedro|http //bosch-y.trevisos.org]; [pailou|http //pailou.realitsen.info] - [pailou|HTTP //pailou.realitsen.info] pailou, pailou, pailou [pailou|http //pailou.realitsen.info]; [nylon|http //nylon.realitsen.info] - [nylon|HTTP //nylon.realitsen.info] nylon, nylon, nylon [nylon|http //nylon.realitsen.info]; [carlito s way|http //carlitos-way.fifa2007it.org] - [carlito s way|HTTP //carlitos-way.fifa2007it.org] carlito s way, carlito s way, carlito s way [carlito s way|http //carlitos-way.fifa2007it.org]; [loggiato|http //loggiato.topo20.org] - [loggiato|HTTP //loggiato.topo20.org] loggiato, loggiato, loggiato [loggiato|http //loggiato.topo20.org]; [avedon, richard|http //avedon-richard.trevisos.org] - [avedon, richard|HTTP //avedon-richard.trevisos.org] avedon, richard, avedon, richard, avedon, richard [avedon, richard|http //avedon-richard.trevisos.org]; [orchard, william|http //orchard-william.realitsen.info] - [orchard, william|HTTP //orchard-william.realitsen.info] orchard, william, orchard, william, orchard, william [orchard, william|http //orchard-william.realitsen.info]; [gremlins|http //gremlins.fifa2007it.org] - [gremlins|HTTP //gremlins.fifa2007it.org] gremlins, gremlins, gremlins [gremlins|http //gremlins.fifa2007it.org]; [accademismo|http //accademismo.trevisos.org] - [accademismo|HTTP //accademismo.trevisos.org] accademismo, accademismo, accademismo [accademismo|http //accademismo.trevisos.org]; [candela, felix|http //candela-felix.win-for-italy.info] - [candela, felix|HTTP //candela-felix.win-for-italy.info] candela, felix, candela, felix, candela, felix [candela, felix|http //candela-felix.win-for-italy.info]; [azzolini, tito|http //azzolini-tito.trevisos.org] - [azzolini, tito|HTTP //azzolini-tito.trevisos.org] azzolini, tito, azzolini, tito, azzolini, tito [azzolini, tito|http //azzolini-tito.trevisos.org]; [kiva|http //kiva.topo20.org] - [kiva|HTTP //kiva.topo20.org] kiva, kiva, kiva [kiva|http //kiva.topo20.org]; [robert de luzarches|http //robert-luzarches.design4italy.org] - [robert de luzarches|HTTP //robert-luzarches.design4italy.org] robert de luzarches, robert de luzarches, robert de luzarches [robert de luzarches|http //robert-luzarches.design4italy.org]; [del perduto amore|http //del-perduto.fifa2007it.org] - [del perduto amore|HTTP //del-perduto.fifa2007it.org] del perduto amore, del perduto amore, del perduto amore [del perduto amore|http //del-perduto.fifa2007it.org]; [shumman, kubo|http //shumman-kubo.design4italy.org] - [shumman, kubo|HTTP //shumman-kubo.design4italy.org] shumman, kubo, shumman, kubo, shumman, kubo [shumman, kubo|http //shumman-kubo.design4italy.org]; [morgan, john pierpont|http //morgan-john.realitsen.info] - [morgan, john pierpont|HTTP //morgan-john.realitsen.info] morgan, john pierpont, morgan, john pierpont, morgan, john pierpont [morgan, john pierpont|http //morgan-john.realitsen.info];
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Designing the User Interface Strategies for Effective Human-Computer Interaction Addison-Wesley Pub (Sd)? Ben Shneiderman? Addison-WesleyPub(Sd)? BenShneiderman? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Industries&Professions-High-Tech? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-InterfaceDesign? Subjects-Computers&Internet-Business&Culture-ComputerIndustry? Subjects-Computers&Internet-OperatingSystems-General? Subjects-Computers&Internet-General? Subjects-Computers&Internet-ComputerScience-Human-ComputerInteraction? The Longman Anthology of British Literature The Romantics and Their Contemporaries/the Victorian Age/the Twentieth Century Compact Edition Longman Pub Group? David Damrosch? LongmanPubGroup? DavidDamrosch? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-General-Classics? Subjects-Literature&Fiction-History&Criticism-UnitedStates-LiteraryTheory? Subjects-Literature&Fiction-WorldLiterature-British-General? 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Substores-UnknownASINs-8 Subjects-Computers&Internet-Databases-General? Introduction to Automata Theory, Languages and Computation Addison Wesley? J.E. Hopcroft? Jeffrey D. Ullman? Rajeev Motwani? AddisonWesley? J.E.Hopcroft? JeffreyD.Ullman? RajeevMotwani? ジャンル別? Substores-UnknownASINs-8 Subjects-Computers&Internet-Software-Design&Development-SoftwareDesign? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? An Introduction to Modern Astrophysics Addison Wesley? Bradley W. Carroll? Dale A. Ostlie? AddisonWesley? BradleyW.Carroll? DaleA.Ostlie? ジャンル別? Substores-UnknownASINs-8 Subjects-Science-Physics-Astrophysics? Turbo Pascal Update Addison Wesley? Elliot B. Koffman? AddisonWesley? ElliotB.Koffman? ジャンル別? Substores-UnknownASINs-8 Subjects-Computers&Internet-Programming-Languages&Tools-General? Problem Solving and Program Design in C (Pie) Addison Wesley? Jeri R. Hanly? Elliot B. Koffman? AddisonWesley? JeriR.Hanly? ElliotB.Koffman? ジャンル別? Substores-UnknownASINs-8 Subjects-Computers&Internet-Programming-Languages&Tools-C&C++-WindowsProgramming? Microeconomics Addison Wesley? Michael Parkin? AddisonWesley? MichaelParkin? ジャンル別? Substores-UnknownASINs-8 Subjects-Business&Investing-Economics-Microeconomics? Subjects-Nonfiction-Economics-Microeconomics? Subjects-Professional&Technical-Accounting&Finance-Economics-Microeconomics? Object Oriented Software Development Using Java Addison Wesley? Xiaoping Jia? AddisonWesley? XiaopingJia? ジャンル別? Substores-UnknownASINs-8 Subjects-Computers&Internet-WebDevelopment-Scripting&Programming-Java-General? Subjects-Computers&Internet-Software-Design&Development-Object-OrientedDesign? Programming Languages (Pie) Addison Wesley? Ravi Sethi? AddisonWesley? RaviSethi? ジャンル別? Substores-UnknownASINs-8 Subjects-Computers&Internet-Programming-Languages&Tools-General? Learning SQL (Pie) Addison Wesley? Sikha Bagui? Richard Earp? AddisonWesley? SikhaBagui? RichardEarp? ジャンル別? Substores-UnknownASINs-8 Subjects-Computers&Internet-Databases-General? Introduction to the Design and Analysis of Algorithms Addison Wesley? Paul Mallery? AddisonWesley? PaulMallery? ジャンル別? Substores-UnknownASINs-8 File Structures Addison Wesley? Michael J. Folk? Bill Zoellick? Greg Riccardi? AddisonWesley? MichaelJ.Folk? BillZoellick? GregRiccardi? ジャンル別? Substores-UnknownASINs-8 Subjects-Computers&Internet-Software-Design&Development-Object-OrientedDesign? Subjects-Computers&Internet-Programming-Languages&Tools-C&C++-WindowsProgramming? Discrete and Combinatorial Mathematics (Pie) Addison Wesley? Ralph P. Grimaldi? AddisonWesley? RalphP.Grimaldi? ジャンル別? Substores-UnknownASINs-8 Subjects-Science-Mathematics? Understanding Object-oriented Programming with Java Addison Wesley? Timothy A. Budd? AddisonWesley? TimothyA.Budd? ジャンル別? Substores-UnknownASINs-8 Subjects-Computers&Internet-WebDevelopment-Scripting&Programming-Java-General? Subjects-Computers&Internet-Software-Design&Development-Object-OrientedDesign? Data Structures and Other Objects Using Java Addison Wesley? Michael Main? AddisonWesley? MichaelMain? ジャンル別? Substores-UnknownASINs-8 Subjects-Computers&Internet-WebDevelopment-Scripting&Programming-Java-General? Subjects-Computers&Internet-Databases-General? System Software Addison Wesley? Leland L. Beck? AddisonWesley? LelandL.Beck? ジャンル別? Substores-UnknownASINs-8 Subjects-Computers&Internet-ComputerScience-SoftwareEngineering? Pro Tools 6 for Macintosh and Windows (Visual Quickstart Guides) Peachpit Pr? Steven Roback? PeachpitPr? StevenRoback? ジャンル別? Substores-UnknownASINs-8 Subjects-Computers&Internet-Programming-Graphics&Multimedia-General? Subjects-Computers&Internet-Programming-Graphics&Multimedia-Sound? Subjects-Computers&Internet-General? Subjects-Computers&Internet-Home&Office-Macintosh-DesktopPublishing? Subjects-Computers&Internet-DigitalMusic&ComputerAudio-ProTools? Subjects-Entertainment-Music-Recording&Sound? Subjects-Entertainment-Music-Theory,Composition&Performance-MIDI,Mixers,etc.? Subjects-Engineering-Electrical&Electronics-Electronics-DigitalAudio? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-DigitalAudio? Mac OS X 10.3 Panther Visual Quickstart Guide (Visual Quickstart Guides) Peachpit Pr? Maria Langer? PeachpitPr? MariaLanger? ジャンル別? Substores-UnknownASINs-8 Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-Macintosh? Subjects-Computers&Internet-Hardware-Macs? Subjects-Computers&Internet-OperatingSystems-MacOS? Subjects-Computers&Internet-General? Distributed Computing (Pie) Addison Wesley? M.L. Liu? Patrick Shannon? AddisonWesley? M.L.Liu? PatrickShannon? ジャンル別? Substores-UnknownASINs-8 Subjects-Computers&Internet-Software-Design&Development-Object-OrientedDesign? Red Hat Linux 9 (Visual Quickpro Guide) Peachpit Pr? Harold Davis? Joseph Merlino? Katherine Wrightson? PeachpitPr? 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Where the Wild Things Are 項目数：48 総ポイント：1000 難易度： Stranger Complete the game on Easy or higher 75 Hero Complete the game on Normal or higher 90 King Complete the game on Hard 100 Friend of Alexander Collect 25 Turtles 5 Friend of Ira Collect 25 Geodes 5 Friend of Judith Collect 25 Seeds 5 Friend of Douglas Collect 25 Honeycombs 5 Friend of Bull Collect 25 Skulls 5 Friend of KW Collect 25 Owl Eggs 5 Friend of Carol Collect 25 Houses 5 Veterinarian Collect all Turtles 10 Geologist Collect all Geodes 10 Green Thumb Collect all Seeds 10 Beekeeper Collect all Honeycombs 10 Hamlet Collect all Skulls 10 Incubator Collect all Owl Eggs 10 Real Estate Mogul Collect all Houses 10 Nova Find 5 Stars 5 Supernova Find 20 Stars 10 Star Cluster Find 40 Stars 10 Galaxy Find 65 Stars 10 Universe Find 95 Stars 20 On Fire Defeat 250 Fireflies 10 Greased Lightning Defeat 25 Lightning Bugs 15 The Cleaner Defeat 100 Shadow Creatures 20 Jack of Hearts Earn 4 Hearts 10 King of Hearts Earn 7 Hearts 15 Ace of Hearts Earn 10 Hearts 30 Three Square Meals Be eaten by three different Wild Things 20 Worst King Ever Allow three different Wild Things to fade into oblivion 10 Allergen Cause three different Wild Things to sneeze 10 Gymnast Power-swing from three bars 5 Demolitionist Defeat five enemies with one firefly bomb 10 Captain Complete a ride with Carol without crashing 25 Commodore Complete a Sailing mission without crashing 25 Glass Houses Start a Dirt Clod Fight with multiple Wild Things 10 Wild Rumpus! Defeat 15 enemies in a row in melee without being hit 10 Secret Achievements Follow the Bull Complete Arrival 20 Explore the Island Complete Road to Nowhere 20 Escape the Cave Complete The Cave 20 Plug the Rifts Complete Canyon River 20 Rescue Ira Complete Seasick 30 Go to Nowhere Complete Rebellion 30 Survive the Destruction Complete Crumbling Island 30 Find a New Island Complete Old Willow 40 Reach the Ocean Complete Setting Sail 40 Find Alexander Complete Below the Roots 50 Leap to the Moon Complete A Trip to the Moon 50 各実績の説明(PS3ですが内容は同じです) http //blog.livedoor.jp/motor_drive/archives/1062307.html
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【Tags Miku Nashimoto-P tS D】 Original Music title どこかで他人が死んでいる English music title Strangers Are Dying Somewhere Romaji music title Doko ka de Tanin ga Shindeiru Music Lyrics written, Voice edition by 梨本P (Nashimoto-P) / 梨本うい(Nashimoto Ui) Music arranged by 梨本P (Nashimoto-P) / 梨本うい(Nashimoto Ui) Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by motokokusanagi2009)： Dear God, I m really sorry I was ever born Dear God, I m really sorry I m still alive Dear God, I m such a bum Dear God, I m such scum In the world consisted of six tatami mats I m standing still Ah, on TV People are dying somewhere It doesn t matter to me at all but... People are dying somewhere It doesn t matter to me at all but... I feel deadly mournful, I feel deadly mournful I feel deadly mournful, I feel deadly mournful AaAaAa Blue AaAaAa Blue AaAaAa Blue AaAaAa Blue AaAaAa Having no time to despise myself, I breathe in this small room Ah, I m sorry I m happy somehow People are dying somewhere It doesn t matter to me at all but... People are dying somewhere I don t feel lonely for that at all but... If someone precious to me dies, I can t get it over forever but If a stranger dies, I ll forget it soon but for now I feel deadly mournful, I feel deadly mournful I feel deadly mournful, I feel deadly mournful This is how the world works Romaji lyrics (transliterated by motokokusanagi2009)： kami sama umarete kite hontō gomen nasai kami sama shinde nakute hontō gomen nasai kami sama boku wa totemo dame na hito desu kami sama boku wa totemo kuzu na hito desu roku jō hito ma no kono sekai heya no sumi ni tatazunde iru ah terebi no mukō dokoka de tanin ga shinde iru boku niwa kankei nai keredo dokoka de tanin ga shinde iru boku niwa kankei nai keredo kana shīne kana shīne kana shīne kana shīne ah ah ah ao ah ah ah ao ah ah ah ao ah ah ah ao ah ah ah jiko keno shiteru hima mo naku semai heya no naka iki o suru ah shiawase de dōmo gomen ne dokoka de tanin ga shinde iru boku niwa kankei nai keredo dokoka de tanin ga shinde iru zenzen samishiku nai keredo taisetsu na hito ga shinda nara isshō wasureya shinai kedo shira nai dare ka ga shin datte sugu wasureru demo ima dake wa kana shīne kana shīne kana shīne kana shīne kore de īka [Nashimoto-P, NashimotoP, Nashimoto Ui]
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Preferences List The following is a list of settings found in OPTIONS→SETTINGS (!CONFIRM), what they do, and their default values. Control BankWheelScrollRate Specifies the rate of speed of scroll using a scroll wheel when using Bank View. Default 4 EditorMouseWheel Specifies the mouse wheel function in the Editor.(!verify) Default 1 0 (!verify) 1 (!verify) EditorMouseWheelAlt Specifies the alt key + mouse wheel functionality in the Editor. !verify Default 0 0 !verify EditorMouseWheelCtrl Specifies the functionality for ctr key + mouse wheel in the Editor. !verify Default 3 EditorMouseWheelShift Specifies the functionality of shift key + mouse wheel in the Editor. Default 2 EnableRightClickMenu If True, enables a context menu opening when right-clicking. Default False Tip Dialog ShowLoadImageCutoffDialog When an image is opened in the CHR-ROM tab, a dialog(!verify) is displayed indicating that the outside of the range has been truncated.(!verify) Default True ShowReloadExternalChangeDialog Confronts the user with a dialog box whenever the open file is modified outside of YY-CHR. The dialog asks if the user wants to reload the file. Default True ShowSaveModifiedDialog Confronts the user with a dialog box whenever he tries to close a file that was modified but not saved. The possible responses are [save change and close], [close without saving changes], and [cancel]. Default True File DefaultImageType Specifies the default image format when opening and saving. Default 0 0 ??? (!CONFIRM) EnabledEditorForReadOnlyFile If this is enabled, palettes, regardless how their attributes are set, can be read and revised by the program. Click here for an illustration. Default False LoadImagePaletteOnChrRomTab Specifies whether palettes load from image files opened in the CHR-ROM tab.(!VERIFY) Default False SaveClearUndoBuffer Specifies whether the undo(?) buffer should be clear upon Saving a ROM. Default True SmallFileSaveSize Specifies what size to Save a ROM as when it is smaller than Bank 1. Default 0 0 ???(!VERIFY) 1 ???(!verify) Grid GridBankColor1 Specifies the RGBA color of the gridlines of Bank 1 of the Bank View. Format is (A, R, G, B). Default .Color(0x80, 0xFF, 0xFF, 0xFF) GridBankColor2 Specifies the RGBA color of the gridlines of Bank 2 of the Bank View. Format is (A, R, G, B). Default .Color(0x20, 0xFF, 0xFF, 0xFF) GridBankVisible Specifies whether the gridlines in the Bank View show. !verify Default True GridEditColor1 Specifies the gridline color in the Edit View for Grid 1. Format is (A, R, G, B). Default .Color(0x80, 0xFF, 0xFF, 0xFF) GridEditColor2 Specifies the gridline color for Grid 2 of the Edit View. Format is (A, R, G, B). Default .Color(0x20, 0xFF, 0xFF, 0xFF) GridEditVisible Specifies whether the gridlines in the Edit View are visible. Default True EditingRectColor For draw tools that use a box to show the region being draw, this setting specifies the color of the box border. It also specifies the color of the lines used in draw tools with a start and end point. Illustration Default .Color(0xFF, 0x80, 0xFF, 0xFF) GridStyle Specifies the style of gridlines seen in both the Bank View and Editor View. It also affects the toolbar at the bottom part of the window. Default 4 Option CheckFont Check installed fonts. If a GUI font(!verify) doesnt exist, YY-CHR boots in english mode. If in Linux or a Wine environment please set this to True. Default True CheckKeyOnActivated When YY-CHR becomes active, check Control, Alt, and Shift keys. Set this preference to False if YY-CHR cannot return from the Taskbar. Default True OptionSaveWindowPosition Specifies whether the window position should be saved. Default False OptionSavedWindowPosition Specifies the window position. Default .Point(0,0) OptionShowAllMenu Show the entire menu. Normally the Address and Pen menus are hidden. Illustration Default False OptionShowTitleAddress Specifies whether the current address will be shown in the Title Bar (!verify). Default True OptionShowToolbarAsButton Specifies whether the Toolbar buttons have shadows. Note On some Windows this wont show correctly. Illustration Default False Path BmpPath Specifies initial directory for reading graphics. If undefined, the directory is…(!CONFIRM) Default (blank) BmpSaveDirType Controls which default directory the the Save screen starts in. Default 1 0 Same directory as the [currently? / last?] (!CONFIRM) file open(ed). 1 Directory specified in the BmpPath. ExtPath Specifies the initial directory for adding Template files. If undefined, the initial directory is… (!CONFIRM) Default (blank) RomPath Specifies the initial directory when reading ROMs. If undefined, the program will start at the last directory loaded from. (!CONFIRM) Default (blank) StatePath Specifies the inital directory for save states. If undefined, the program will start at the last directory loaded from. (!CONFIRM) Default (blank) View DefaultPaletteRowNum The number of lines displayed in the palette when the window size is small. If you specify eight or more, increase the window size for display. Default 8 EditRectSize Specifies the size of the edit area of the Edit View in pixels by pixels. Default .Size(32,32) GuiSizeRateIndex Specifies the scale-factor of the GUI. Illus. Default 0 0 2x 1 3x 2 4x Page Todo Verify the unverified.
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CHAPTER XXII UP CHAPTER XXIV CHAPTER XXIII Anne Comes to Grief in an Affair of Honor Anne had to live through more than two weeks, as it happened. Almost a month having elapsed since the liniment cake episode, it was high time for her to get into fresh trouble of some sort, little mistakes, such as absentmindedly emptying a pan of skim milk into a basket of yarn balls in the pantry instead of into the pigs bucket, and walking clean over the edge of the log bridge into the brook while wrapped in imaginative reverie, not really being worth counting. A week after the tea at the manse Diana Barry gave a party. "Small and select," Anne assured Marilla. "Just the girls in our class." They had a very good time and nothing untoward happened until after tea, when they found themselves in the Barry garden, a little tired of all their games and ripe for any enticing form of mischief which might present itself. This presently took the form of "daring." Daring was the fashionable amusement among the Avonlea small fry just then. It had begun among the boys, but soon spread to the girls, and all the silly things that were done in Avonlea that summer because the doers thereof were "dared" to do them would fill a book by themselves. First of all Carrie Sloane dared Ruby Gillis to climb to a certain point in the huge old willow tree before the front door; which Ruby Gillis, albeit in mortal dread of the fat green caterpillars with which said tree was infested and with the fear of her mother before her eyes if she should tear her new muslin dress, nimbly did, to the discomfiture of the aforesaid Carrie Sloane. Then Josie Pye dared Jane Andrews to hop on her left leg around the garden without stopping once or putting her right foot to the ground; which Jane Andrews gamely tried to do, but gave out at the third corner and had to confess herself defeated. Josie s triumph being rather more pronounced than good taste permitted, Anne Shirley dared her to walk along the top of the board fence which bounded the garden to the east. Now, to "walk" board fences requires more skill and steadiness of head and heel than one might suppose who has never tried it. But Josie Pye, if deficient in some qualities that make for popularity, had at least a natural and inborn gift, duly cultivated, for walking board fences. Josie walked the Barry fence with an airy unconcern which seemed to imply that a little thing like that wasn t worth a "dare." Reluctant admiration greeted her exploit, for most of the other girls could appreciate it, having suffered many things themselves in their efforts to walk fences. Josie descended from her perch, flushed with victory, and darted a defiant glance at Anne. Anne tossed her red braids. "I don t think it s such a very wonderful thing to walk a little, low, board fence," she said. "I knew a girl in Marysville who could walk the ridgepole of a roof." "I don t believe it," said Josie flatly. "I don t believe anybody could walk a ridgepole. YOU couldn t, anyhow." "Couldn t I?" cried Anne rashly. "Then I dare you to do it," said Josie defiantly. "I dare you to climb up there and walk the ridgepole of Mr. Barry s kitchen roof." Anne turned pale, but there was clearly only one thing to be done. She walked toward the house, where a ladder was leaning against the kitchen roof. All the fifth-class girls said, "Oh!" partly in excitement, partly in dismay. "Don t you do it, Anne," entreated Diana. "You ll fall off and be killed. Never mind Josie Pye. It isn t fair to dare anybody to do anything so dangerous." "I must do it. My honor is at stake," said Anne solemnly. "I shall walk that ridgepole, Diana, or perish in the attempt. If I am killed you are to have my pearl bead ring." Anne climbed the ladder amid breathless silence, gained the ridgepole, balanced herself uprightly on that precarious footing, and started to walk along it, dizzily conscious that she was uncomfortably high up in the world and that walking ridgepoles was not a thing in which your imagination helped you out much. Nevertheless, she managed to take several steps before the catastrophe came. Then she swayed, lost her balance, stumbled, staggered, and fell, sliding down over the sun-baked roof and crashing off it through the tangle of Virginia creeper beneath-- all before the dismayed circle below could give a simultaneous, terrified shriek. If Anne had tumbled off the roof on the side up which she had ascended Diana would probably have fallen heir to the pearl bead ring then and there. Fortunately she fell on the other side, where the roof extended down over the porch so nearly to the ground that a fall therefrom was a much less serious thing. Nevertheless, when Diana and the other girls had rushed frantically around the house--except Ruby Gillis, who remained as if rooted to the ground and went into hysterics--they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper. "Anne, are you killed?" shrieked Diana, throwing herself on her knees beside her friend. "Oh, Anne, dear Anne, speak just one word to me and tell me if you re killed." To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with horrible visions of a future branded as the girl who was the cause of Anne Shirley s early and tragic death, Anne sat dizzily up and answered uncertainly "No, Diana, I am not killed, but I think I am rendered unconscious." "Where?" sobbed Carrie Sloane. "Oh, where, Anne?" Before Anne could answer Mrs. Barry appeared on the scene. At sight of her Anne tried to scramble to her feet, but sank back again with a sharp little cry of pain. "What s the matter? Where have you hurt yourself?" demanded Mrs. Barry. "My ankle," gasped Anne. "Oh, Diana, please find your father and ask him to take me home. I know I can never walk there. And I m sure I couldn t hop so far on one foot when Jane couldn t even hop around the garden." Marilla was out in the orchard picking a panful of summer apples when she saw Mr. Barry coming over the log bridge and up the slope, with Mrs. Barry beside him and a whole procession of little girls trailing after him. In his arms he carried Anne, whose head lay limply against his shoulder. At that moment Marilla had a revelation. In the sudden stab of fear that pierced her very heart she realized what Anne had come to mean to her. She would have admitted that she liked Anne--nay, that she was very fond of Anne. But now she knew as she hurried wildly down the slope that Anne was dearer to her than anything else on earth. "Mr. Barry, what has happened to her?" she gasped, more white and shaken than the self-contained, sensible Marilla had been for many years. Anne herself answered, lifting her head. "Don t be very frightened, Marilla. I was walking the ridgepole and I fell off. I expect I have sprained my ankle. But, Marilla, I might have broken my neck. Let us look on the bright side of things." "I might have known you d go and do something of the sort when I let you go to that party," said Marilla, sharp and shrewish in her very relief. "Bring her in here, Mr. Barry, and lay her on the sofa. Mercy me, the child has gone and fainted!" It was quite true. Overcome by the pain of her injury, Anne had one more of her wishes granted to her. She had fainted dead away. Matthew, hastily summoned from the harvest field, was straightway dispatched for the doctor, who in due time came, to discover that the injury was more serious than they had supposed. Anne s ankle was broken. That night, when Marilla went up to the east gable, where a white-faced girl was lying, a plaintive voice greeted her from the bed. "Aren t you very sorry for me, Marilla?" "It was your own fault," said Marilla, twitching down the blind and lighting a lamp. "And that is just why you should be sorry for me," said Anne, "because the thought that it is all my own fault is what makes it so hard. If I could blame it on anybody I would feel so much better. But what would you have done, Marilla, if you had been dared to walk a ridgepole?" "I d have stayed on good firm ground and let them dare away. Such absurdity!" said Marilla. Anne sighed. "But you have such strength of mind, Marilla. I haven t. I just felt that I couldn t bear Josie Pye s scorn. She would have crowed over me all my life. And I think I have been punished so much that you needn t be very cross with me, Marilla. It s not a bit nice to faint, after all. And the doctor hurt me dreadfully when he was setting my ankle. I won t be able to go around for six or seven weeks and I ll miss the new lady teacher. She won t be new any more by the time I m able to go to school. And Gil-- everybody will get ahead of me in class. Oh, I am an afflicted mortal. But I ll try to bear it all bravely if only you won t be cross with me, Marilla." "There, there, I m not cross," said Marilla. "You re an unlucky child, there s no doubt about that; but as you say, you ll have the suffering of it. Here now, try and eat some supper." "Isn t it fortunate I ve got such an imagination?" said Anne. "It will help me through splendidly, I expect. What do people who haven t any imagination do when they break their bones, do you suppose, Marilla?" Anne had good reason to bless her imagination many a time and oft during the tedious seven weeks that followed. But she was not solely dependent on it. She had many visitors and not a day passed without one or more of the schoolgirls dropping in to bring her flowers and books and tell her all the happenings in the juvenile world of Avonlea. "Everybody has been so good and kind, Marilla," sighed Anne happily, on the day when she could first limp across the floor. "It isn t very pleasant to be laid up; but there is a bright side to it, Marilla. You find out how many friends you have. Why, even Superintendent Bell came to see me, and he s really a very fine man. Not a kindred spirit, of course; but still I like him and I m awfully sorry I ever criticized his prayers. I believe now he really does mean them, only he has got into the habit of saying them as if he didn t. He could get over that if he d take a little trouble. I gave him a good broad hint. I told him how hard I tried to make my own little private prayers interesting. He told me all about the time he broke his ankle when he was a boy. It does seem so strange to think of Superintendent Bell ever being a boy. Even my imagination has its limits, for I can t imagine THAT. When I try to imagine him as a boy I see him with gray whiskers and spectacles, just as he looks in Sunday school, only small. Now, it s so easy to imagine Mrs. Allan as a little girl. Mrs. Allan has been to see me fourteen times. Isn t that something to be proud of, Marilla? When a minister s wife has so many claims on her time! She is such a cheerful person to have visit you, too. She never tells you it s your own fault and she hopes you ll be a better girl on account of it. Mrs. Lynde always told me that when she came to see me; and she said it in a kind of way that made me feel she might hope I d be a better girl but didn t really believe I would. Even Josie Pye came to see me. I received her as politely as I could, because I think she was sorry she dared me to walk a ridgepole. If I had been killed she would had to carry a dark burden of remorse all her life. Diana has been a faithful friend. She s been over every day to cheer my lonely pillow. But oh, I shall be so glad when I can go to school for I ve heard such exciting things about the new teacher. The girls all think she is perfectly sweet. Diana says she has the loveliest fair curly hair and such fascinating eyes. She dresses beautifully, and her sleeve puffs are bigger than anybody else s in Avonlea. Every other Friday afternoon she has recitations and everybody has to say a piece or take part in a dialogue. Oh, it s just glorious to think of it. Josie Pye says she hates it but that is just because Josie has so little imagination. Diana and Ruby Gillis and Jane Andrews are preparing a dialogue, called `A Morning Visit, for next Friday. And the Friday afternoons they don t have recitations Miss Stacy takes them all to the woods for a `field day and they study ferns and flowers and birds. And they have physical culture exercises every morning and evening. Mrs. Lynde says she never heard of such goings on and it all comes of having a lady teacher. But I think it must be splendid and I believe I shall find that Miss Stacy is a kindred spirit." "There s one thing plain to be seen, Anne," said Marilla, "and that is that your fall off the Barry roof hasn t injured your tongue at all." CHAPTER XXII UP CHAPTER XXIV 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 21 11 (Tue)
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Merging Files and Tracks When you are working on scenarios with multiple shots or objects, you may wish to combine different SynthEyes .sni files together. For example, you may track a wide reference shot, and want to use those trackers as indirect links for several other shots. You can save the tracked reference shot, then use the File/Merge option to combine it with each of several other files. Alternatively, you can transfer 2-D or 3-D data from one file to another, in the process making a variety of adjustments to it as discussed in the second subsection. You can track a file in several different auto-track sections, and recombine them using the scripts. File/Merge After you start File/Merge and select a file to merge, you will be asked whether or not to rename the trackers as necessary, to make them unique. If the current scene has Camera01 with trackers Tracker01 to Tracker05, and the scene being merged also has Camera01 with trackers Tracker01 to Tracker05, then answering yes will result in Camera01 with Tracker01 to Tracker05 and Camera02 with Tracker06 to Tracker10. If you answer no, Camera01 will have Tracker01 to Tracker05 and Camera02 will also have (different) Tracker01 to Tracker05, which is more confusing to people than machines. As that example shows indirectly, cameras, objects, meshes, and lights are always renamed to be unique. Renaming is always done by appending a number if the incoming and current scenes both have a TrashCan, the incoming one will be renamed to TrashCan1. If you are combining a shot with a previously-tracked reference, you will probably want to keep the existing tracker names, to make it easiest to find matching ones. Otherwise, renaming them with yes is probably the least confusing unless you have a particular knowledge of the TrackerNN assignments (in which case, giving them actual names such as Scuff1 is probably best). You might occasionally track one portion of a shot in one scene file, and track a different portion of the same shot in a separate file. You can combine the scene files onto a single camera as follows Open the first shot File/Merge the second shot. Answer yes to make tracker names unique (important!) Select Camera02 from the Shot menu. Hit control-A to select all its trackers. Go to the Coordinate System Panel . Change the trackers’ host object from Camera02 to *Camera01. (The * before the camera name indicates that you are moving the tracker to a different, but compatible, shot.) Delete any moving objects, lights, or meshes attached to Camera02. Select Remove Object on the Shot menu to delete Camera02. All the trackers will now be on the single Camera01. Notice how Remove Object can be used to remove a moving object or a camera and its shot. In each case, however, any other moving objects, trackers, lights, meshes, etc, must be removed first or the Remove Object will be ignored. Tracker Data Transfer You can transfer tracking data from file to file using SynthEyes export scripts, File/Export/Export 2-D Tracker Paths, and File/Import/Import 2-D Tracker Paths. These scripts can be used to interchange with other programs that support similar tracking data formats. The scripts can be used to make a number of remedial transforms as well, such as repairing track data if the source footage is replaced with a new version that is cropped differently. The simple data format, a tracker name, frame number, horizontal and vertical positions, and an optional status code, also permits external manipulations by UNIX-style scripts and even spreadsheets. Exporting Initiate the Export 2-D Tracker Paths script, select a file, and a script-generated dialog box will appear As can be seen, it affords quite a bit of control. The first three fields control the range of frames to be exported, in this case, frames 10 from 15. The offset allows the frame number in the file to be somewhat different, for example, -10 would make the first exported frame appear to be frame zero, as if frame 10 was the start of the shot. The next four fields, two scales and two offsets, manipulate the horizontal (U) and vertical (V) coordinates. SynthEyes defines these to range from -1 to +1 and from left to right and top to bottom. Each coordinate is multiplied by its scale and then the offset added. The normal defaults are scale=1 and offset=0. The values of 0.5 and 0.5 shown rework the ranges to go from 0 to 1, as may be used by other programs. A scale of -0.5 would change the vertical coordinate to run from bottom to top, for example. The scales and offsets can be used for a variety of fixes, including changes in the source imagery. You’ll have to cook up the scale and offset on your own, though. Note that if you are writing a tracker file on SynthEyes and will then read it back in with a transform, it is easiest to write it with scale=1 and offset=0, then make changes as you read in, since if you need to try again you can retry the import, without having to reexport. Continuing with the controls, Even when missing causes a line to be output even if the tracker was not found in that frame. This permits a more accurate import, though other programs are less likely to understand the file. Similarly, the Include Outcome Codes checkbox controls whether or not a small numeric code appears on each line that indicates what was found; it permits a more accurate import, though is less likely to be understood elsewhere. The 2-D tracks box controls whether or not the raw 2-D tracking data is output; this is not necessarily mandatory, as you’ll see. The 3-D tracks box controls whether or not the 3-D path of each tracker is included―this will be the 2-D path of the solved 3-D position, and is quite smooth. In the example, 3-D paths are exported and 2-D paths are not, which is the reverse of the default. When the 3-D paths are exported, an extra Suffix for 3-D can be added to the tracker names; usually this is _3D, so that if both are output, you can tell which is which. Finally, the Extra Points box controls whether or not the 2-D paths of an extra helper points in the scene are output. Importing The File/Import/Import 2-D Tracker Paths import can be used to read the output of the 2-D exporter, or from other programs as well. The import script offers a similar set of controls to the exporter The import runs roughly in reverse of the export. The frame offset is applied to the frame numbers in the file, and only those within the selected first and last frames are stored. The scale and offset can be adjusted; by default they are 1 and 0 respectively. The values of 2 and -1 shown undo the effect of the 0.5/0.5 in the example export panel. If you are importing several different tracker data files into a single moving object or camera, you may have several different trackers all named Tracker1, for example, and after combining the files, this would be undesirable. Instead, by turning on Force unique names, each would be assigned a new unique name. Of course, if you have done supervised tracking in some different files to combine, you might well leave it off, to combine the paths together. If the input data file contains data only for frames where a tracker has been found, the tracker will still be enabled past the last valid frame. By turning on Truncate enables after last, the enable will be turned off after the last valid frame. After each tracker is read, it is locked up. You can unlock and modify it as necessary. The tracking data file contains only the basic path data, so you will probably want to adjust the tracker size, search size, etc. If you will be writing your own tracker data file for this script to import, note that the lines must be sorted so that the lines for each specific tracker are contiguous, and sorted in order of ascending frame number. This convention makes everyone s scripts easier. Also, note that the tracker names in the file never contain spaces, they will have been changed to underscores. Transferring 3-D Paths The path of a camera or object can be exported into a plain file containing a frame number, 3 positions, 3 rotations, and an optional zoom channel (field of view or focal length). Like the 2-D exporter, the File/Export/Plain Camera Path exporter provides a variety of options First Frame. First frame to export Last Frame. Last frame to export. Frame Offset. Add this value to the frame number before storing it in the file. World Scaling. Multiplies the X,Y, Z coordinates, making the path bigger or smaller. Axis Mode. Radio-buttons for Z Up; Y Up, Right; Y Up, Left. Adjust to select the desired output alignment, overriding the current SynthEyes scene setting. Rotation Order. Radio buttons XYZ or ZXY. Controls the interpretation of the 3 rotation angles in the file. Zoom Channel. Radio buttons None, Field of View, Vertical Field of View, Focal Length. Controls the 7th data channel, namely what kind of field of view data is output, if any. Look the other way. SynthEyes camera looks along the –Z axis; some systems have the camera look along +Z. Select this checkbox for those other systems. The 3-D path importer, File/Import/Camera/Object Path, has the same set of options. Though this seems redundant, it lets the importer read flexibly from other packages. If you are writing from SynthEyes and then reading the same data back in, you can leave the settings at their defaults on both export and import (unless you want to time-shift too, for example). If you are changing something, usually it is best to do it on the import, rather than the export. Writing 3-D Tracker Positions You can output the trackers’ 3-D positions using the File/Export/Plain Trackers script with these options Tracker Names. Radio buttons At beginning, At end of line, None. Controls where the tracker names are placed on each output line. The end of line option allows tracker names that contain spaces. Spaces are changed to underscores if the names are at the beginning of the line. Include Extras. If enabled, any helper points are also included in the file. World Scaling. Multiplies the coordinates to increase or decrease overall scaling. Axis Mode. Temporarily changes the coordinate system setting as selected. Reading 3-D Tracker Positions On the input side, there is an File/Import/Tracker Locations option and an File/Import/Extra Points option. Neither has any controls; they automatically detect whether the name is at the beginning or end of the line. Putting the names at the end of each line is most flexible, because then there is no problem with spaces embedded in the file name. A sample file might consist of lines such as 0 0 0 Origin 10 0 0 OnXAxis 13 -5 0 OnGroundPlane 22 10 0 AnotherGroundPlane 3 4 12 LightPole When importing trackers, the coordinates are automatically set up as a seed position on the tracker. You may want to change it to a Lock constraint as well. If a tracker of the given name does not exist, a new tracker will be created.
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The Acts of the Apostles (Ancient Greek Πράξεις τῶν Ἀποστόλων, Práxeis tôn Apostólōn; Latin Āctūs Apostolōrum), often referred to simply as Acts, is the fifth book of the New Testament; it tells of the founding of the Christian church and the spread of its message to the Roman empire.[1] Acts is the second half of a two-part work, referred to as Luke-Acts, by the same anonymous author, referred to as Luke the Evangelist, and usually dated to around 80-90 CE.[2][3] The first part, the Gospel of Luke, tells how God fulfilled his plan for the world s salvation through the life, death and resurrection of Jesus of Nazareth, the promised Messiah. Acts continues the story of Christianity in the 1st century, beginning with the Ascension of Christ. The early chapters, set in Jerusalem, describe the Day of Pentecost (the coming of the Holy Spirit) and the growth of the church in Jerusalem. Initially the Jews are receptive to the Christian message, but soon they turn against the followers of the Messiah. Rejected by the Jews, under the guidance of the Apostle Peter the message is taken to the Gentiles. The later chapters tell of Paul s conversion, his mission in Asia Minor and the Aegean, and finally his imprisonment in Rome, where, as the book ends, he awaits trial. Luke-Acts is an attempt to answer a theological problem, namely how the Messiah of the Jews came to have an overwhelmingly non-Jewish church; the answer it provides, and its central theme, is that the message of Christ was sent to the Gentiles because the Jews rejected it.[1] Contents [hide] 1 Composition and setting 1.1 Title, unity of Luke-Acts, authorship and date 1.2 Genre, sources and historicity of Acts 1.3 Audience and authorial intent 1.4 Manuscripts 2 Structure and content 2.1 Structure 2.2 Outline 2.3 Content 3 Theology 4 Comparison with other writings 4.1 Gospel of Luke 4.2 Pauline epistles 5 See also 6 References 7 Bibliography 8 External links Composition and setting[edit] Main article Authorship of Luke–Acts Ministry of the Apostles Russian icon by Fyodor Zubov, 1660 Title, unity of Luke-Acts, authorship and date[edit] The title "Acts of the Apostles" (Greek Πράξεις ἀποστόλων Praxeis Apostolon) was first used by Irenaeus in the late 2nd century. It is not known whether this was an existing title or one invented by Irenaeus; it does seem clear, however, that it was not given by the author.[4] The gospel of Luke and Acts make up a two-volume work which scholars call Luke-Acts.[3] Together they account for 27.5% of the New Testament, the largest contribution attributed to a single author, providing the framework for both the Church s liturgical calendar and the historical outline into which later generations have fitted their idea of the story of Jesus and the early church.[5] The author is not named in either volume.[6] According to Church tradition dating from the 2nd century, he was the "Luke" named as a companion of the apostle Paul in three of the letters attributed to Paul himself; this view is still sometimes advanced, but "a critical consensus emphasizes the countless contradictions between the account in Acts and the authentic Pauline letters."[7] (An example can be seen by comparing Acts accounts of Paul s conversion (Acts 9 1-31, 22 6-21, and 26 9-23) with Paul s own statement that he remained unknown to Christians in Judea after that event (Galatians 1 17-24).)[8] He admired Paul, but his theology was significantly different from Paul s on key points and he does not (in Acts) represent Paul s views accurately.[9] He was educated, a man of means, probably urban, and someone who respected manual work, although not a worker himself; this is significant, because more high-brow writers of the time looked down on the artisans and small business-people who made up the early church of Paul and were presumably Luke s audience.[10] The earliest possible date for the composition of Acts is set by the events with which it ends, Paul s imprisonment in Rome c.63 CE, but an early date is now rarely put forward.[11][12] The last possible date would be set by its first definite citation by another author, but there is no unanimity on this–some scholars find echoes of Acts in a work from c.95 CE called I Clement, while others see no indisputable citation until the middle of the 2nd century.[11] If Acts uses Josephus as a source, as has been proposed, then it must have been composed after 93 CE; it does not show any knowledge of Paul s letters, a fact which also supports a late date; and the social situation it reflects is one in which the faithful need "shepherds" to protect them from heretical (possibly Marcionite) "wolves", which again reflects a late date.[11] Most experts therefore date it to around 80-90 CE, although some suggest 90-110, [2] and there is evidence that it was still being substantially revised well into the 2nd century.[13] Genre, sources and historicity of Acts[edit] Luke (or more accurately the anonymous author of Luke-Acts) describes his work, Luke-Acts, as a "narrative" (diegesis). Acts, the second part, is widely thought of as a history, but it lacks exact analogies in Hellenistic or Jewish literature.[14] The title "Acts of the Apostles" (Praxeis Apostolon) would seem to identify it with the genre telling of the deeds and achievements of great men (praxeis), but it was not the title given by the author.[4] Luke seems to have taken as his model the works of two respected Classical authors, Dionysius of Halicarnassus, who wrote a well-known history of Rome, and the Jewish historian Josephus, author of a history of the Jews.[15] Like them he anchors his history by dating the birth of the founder (Romulus for Dionysius, Moses for Josephus, Jesus for Luke) and like them he tells how the founder is born from God, taught authoritatively, and appeared to witnesses after death before ascending to heaven.[15] By and large the sources for Acts can only be guessed at,[16] but Luke would have had access to the Septuagint (a Greek translation of the Jewish scriptures), the gospel of Mark and the collection of "sayings of Jesus" called the Q source.[17] He transposed a few incidents from Mark s gospel to the time of the Apostles – for example, the material about "clean" and "unclean" foods in Mark 7 is used in Acts 10, and Mark s account of the accusation that Jesus has attacked the Temple (Mark 14 58) is used in a story about Stephen (Acts 6 14).)[18] There are also points of contacts (meaning suggestive parallels but something less than clear evidence) with 1 Peter, the Letter to the Hebrews, and 1 Clement.[19] Other sources can only be inferred from internal evidence – the traditional explanation of the three "we" passages, for example, is that they represent eye-witness accounts.[20] The search for such inferred sources was popular in the 19th century, but by the mid-20th it had largely been abandoned.[21] Acts was read as a reliable history of the early church well into the post-Reformation era. By the 17th century, however, biblical scholars began to notice that it was incomplete and tendentious – its picture of a harmonious church is quite at odds with that given by Paul s letters, and it omits important events such as the deaths of both Peter and Paul. The mid-19th century scholar Ferdinand Baur suggested that Luke had re-written history to present a united Peter and Paul and advance a single orthodoxy against the Marcionites. (Marcion was a 2nd-century heretic who wished to cut Christianity off entirely from the Jews). Baur continues to have enormous influence, but today there is less interest in determining Luke s historical accuracy (although this has never died out) than in understanding his theological program.[22] Audience and authorial intent[edit] Luke was written to be read aloud to a group of Jesus-followers gathered in a house to share the Lord s supper.[15] The author assumes an educated Greek-speaking audience, but directs his attention to specifically Christian concerns rather than to the Greco-Roman world at large.[23] He begins his gospel with a preface addressed to Theophilus, informing him of his intention to provide an "ordered account" of events which will lead his reader to "certainty".[10] He did not write in order to provide Theophilus with historical justification – "did it happen?" – but to encourage faith – "what happened, and what does it all mean?"[24] Acts (or Luke-Acts) is intended as a work of "edification."[25] Edification means "the empirical demonstration that virtue is superior to vice,"[26] but is not all of Luke s purpose. He also engages with the question of a Christian s proper relationship with the Roman Empire, the civil power of the day could a Christian obey God and also Caesar? The answer is ambiguous.[27] The Romans never move against Jesus or his followers unless provoked by the Jews, in the trial scenes the Christian missionaries are always cleared of charges of violating Roman laws, and Acts ends with Paul in Rome proclaiming the Christian message under Roman protection; at the same time, Luke makes clear that the Romans, like all earthly rulers, receive their authority from Satan, while Christ is ruler of the kingdom of God. [28] Luke-Acts can be also seen as a defense of (or "apology" for) the Jesus movement addressed to the Jews the bulk of the speeches and sermons in Acts are addressed to Jewish audiences, with the Romans featuring as external arbiters on disputes concerning Jewish customs and law.[27] On the one hand Luke portrays the Christians as a sect of the Jews, and therefore entitled to legal protection as a recognised religion; on the other, Luke seems unclear as to the future God intends for Jews and Christians, celebrating the Jewishness of Jesus and his immediate followers while also stressing how the Jews had rejected God s promised Messiah.[29] Manuscripts[edit] There are two major textual variants of Luke-Acts, the Western text-type and the Alexandrian. The oldest complete Alexandrian manuscripts date from the 4th century and the oldest Western ones from the 6th, with fragments and citations going back to the 3rd. Western texts of Acts are 10% longer than Alexandrian texts, the additions tending to enhance the Jewish rejection of the Messiah and the role of the Holy Spirit, in ways that are stylistically different from the rest of Acts.[30] These conflicts suggest that Luke-Acts was still being substantially revised well into the 2nd century.[13] The majority of scholars prefer the Alexandrian (shorter) text-type over the Western as the more authentic, but this same argument would favour the Western over the Alexandrian for the gospel of Luke, as in that case the Western version is the shorter. The debate therefore continues.[30] Structure and content[edit] Acts 1 1-2a from the 14th century Minuscule 223 Structure[edit] Acts has two key structural principles. The first is the geographic movement from Jerusalem, centre of God s Covenantal people the Jews, to Rome, centre of the Gentile world. This structure reaches back to the author s preceding work, the Gospel of Luke, and is signaled by parallel scenes such as Paul s utterance in Acts 19 21, which echoes Jesus words 9 51 (Paul has Rome as his destination, as Jesus had Jerusalem). The second key element is the roles of Peter and Paul, the first representing the Jewish Christian church, the second the mission to the Gentiles.[31] Transition reprise of the preface addressed to Theophilus and the closing events of the gospel (Acts 1-1 26) Petrine Christianity the Jewish church from Jerusalem to Antioch (Acts 2 1-12 25) 2 1-8 1 - beginnings in Jerusalem 8 2-40 - the church expands to Samaria and beyond 9 1-31 - conversion of Paul 9 32-12 25 - the conversion of Cornelius, and the formation of the Antioch church Pauline Christianity the Gentile mission from Antioch to Rome (Acts 13 1-28 21) 13 1-14 28 - the Gentile mission is promoted from Antioch 15 1-35 - the Gentile mission is confirmed in Jerusalem 15 36-28 31 - the Gentile mission, climaxing in Paul s passion story in Rome (21 17-28 31) Outline[edit] Dedication to Theophilus (1 1–2) Resurrection appearances (1 3) Great Commission (1 4–8) Ascension (1 9) Second Coming Prophecy (1 10–11) Matthias replaced Judas (1 12–26) the Upper Room (1 13) Holy Spirit came at Pentecost (2), see also Paraclete Peter healed a crippled beggar (3 1–10) Peter s speech at the Temple (3 11–26) Peter and John before the Sanhedrin (4 1–22) Resurrection of the dead (4 2) Believers Prayer (4 23–31) Everything is shared (4 32–37) Ananias and Sapphira (5 1–11) Signs and Wonders (5 12–16) Apostles before the Sanhedrin (5 17–42) Seven Greeks appointed (6 1–7) Saint Stephen before the Sanhedrin (6 8–7 60) The "Cave of the Patriarchs" was located in Shechem (7 16) "Moses was educated in all the wisdom of the Egyptians" (7 22) First mentioning of Saul (Paul the Apostle) in the Bible (7 58) Paul the Apostle confesses his part in the martyrdom of Stephen (7 58-60) Saul persecuted the Church of Jerusalem (8 1–3) Philip the Evangelist (8 4–40) Simon Magus (8 9–24) Ethiopian eunuch (8 26–39) Conversion of Paul the Apostle (9 1–31, 22 1–22, 26 9–24) Paul the Apostle confesses his active part in the martyrdom of Stephen (22 20) Peter healed Aeneas and raised Tabitha from the dead (9 32–43) Conversion of Cornelius (10 1–8, 24–48) Peter s vision of a sheet with animals (10 9–23, 11 1–18) Church of Antioch founded (11 19–30) term "Christian" first used (11 26) Saint James the Great executed (12 1–2) Peter s rescue from prison (12 3–19) Death of Herod Agrippa I [in 44] (12 20–25) "the voice of a god" (12 22) Mission of Barnabas and Saul (13–14) "Saul, who was also known as Paul" (13 9) called "gods ... in human form" (14 11) Council of Jerusalem (15 1–35) Paul separated from Barnabas (15 36–41) 2nd and 3rd missions (16–20) Areopagus sermon (17 16-34) "God...has set a day" (17 30–31) Trial before Gallio c. 51–52 (18 12–17) Trip to Jerusalem (21) Before the people and the Sanhedrin (22–23) Before Felix–Festus–Agrippa II (24–26) Trip to Rome (27–28) called a god on Malta (28 6) Content[edit] See also Early Christianity and Jewish Christians The Gospel of Luke began with a prologue addressed to Theophilus; Acts likewise opens with an address to Theophilus and refers to "my earlier book", almost certainly the gospel. The apostles and other followers of Jesus meet and elect Matthias to replace Judas as a member of The Twelve. On Pentecost, the Holy Spirit descends and confers God s power on them, and Peter, along with John, preaches to many in Jerusalem, and performs Christ-like healings, casting out of evil spirits, and raising of the dead. At first many Jews follow Christ and are baptized, but the Christians begin to be increasingly persecuted by the Jews. Stephen is arrested for blasphemy, and after a trial, is found guilty and stoned by the Jews. Stephen s death marks a major turning point the Jews have rejected the message, and henceforth it will be taken to the Gentiles.[32] The message is taken to the Samaritans, a people rejected by Jews, and to the Gentiles. Saul of Tarsus, one of the Jews who persecuted the Christians, is converted by a vision to become a follower of Christ (an event which Luke regards as so important that he relates it three times). Peter, directed by a series of visions, preaches to Cornelius the Centurion, a Gentile God-fearer, who becomes a follower of Christ. The Holy Spirit descends on Peter and Cornelius, thus confirming that the message of eternal life in Christ is for all mankind. The Gentile church is established in Antioch (north-western Syria, the third-largest city of the empire), and here Christ s followers are first called Christians.[33] The mission to the Gentiles is promoted from Antioch and confirmed at meeting in Jerusalem between Paul and the leadership of the Jerusalem church. Paul spends the next few years traveling through western Asia Minor and the Aegean,preaching, converting Gentiles, and founding new churches. On a visit to Jerusalem he is set on by a Jewish mob. Saved by the Roman commander, he is accused by the Jews of being a revolutionary, the "ringleader of the sect of the Nazarenes", and imprisoned. Paul asserts his right as a Roman citizen, to be tried in Rome and is sent by sea to Rome, where he spends another two years under house arrest, proclaiming the Kingdom of God and teaching the "Lord Jesus Christ". Acts ends abruptly without recording the outcome of Paul s legal troubles.[citation needed] Theology[edit] Paul s conversion, from Livre d Heures d Étienne Chevalier (c. 1450–1460), Jean Fouquet, in the Château de Chantilly. Prior to the 1950s Luke-Acts was seen as a historical work, written to defend Christianity before the Romans or Paul against his detractors; since then, however, the tendency has been to see the work as primarily theological.[34] Luke s theology is expressed primarily through his overarching plot, the way scenes, themes and characters combine to construct his specific worldview.[35] His "salvation history" stretches from the Creation to the present time of his readers, in three ages first, the time of "the Law and the Prophets" (Luke 16 16), the period beginning with Genesis and ending with the appearance of John the Baptist (Luke 1 5-3 1); second, the epoch of Jesus, in which the Kingdom of God was preached (Luke 3 2-24 51); and finally the period of the Church, which began when the risen Christ was taken into Heaven, and would end with his second coming.[36] Luke-Acts is an attempt to answer a theological problem, namely how the Messiah promised to the Jews came to have an overwhelmingly non-Jewish church; the answer it provides, and its central theme, is that the message of Christ was sent to the Gentiles because the Jews rejected it.[1] This theme is introduced at the opening of the gospel of Luke, when Jesus, rejected in Nazareth, recalls that the prophets were rejected by Israel and accepted by Gentiles; at the end of the gospel he commands his disciples to preach his message to all nations, "beginning from Jerusalem." He repeats the command in Acts, telling them to preach "in Jerusalem, in all Judea and Samaria, and to the end of the Earth." They then proceed to do so, in the order outlined first Jerusalem, then Judea, then Samaria, then the entire (Roman) world.[37] For Luke, the Holy Spirit is the driving force behind the spread of the Christian message, and he places more emphasis on it than do any of the other evangelists. The Spirit is "poured out" at Pentecost, on the first Samaritan and Gentile believers, and on disciples who had been baptised only by John the Baptist, each time as a sign of God s approval. The Holy Spirit represents God s power (At his ascension, Jesus tells his followers, "You shall receive power when the Holy Spirit has come upon you") through it the disciples are given speech to convert thousands in Jerusalem, forming the first church (the term is used for the first time in Acts 5).[38] Comparison with other writings[edit] Saint Paul Writing His Epistles, ascribed to Valentin de Boulogne, 17th century Gospel of Luke[edit] As the second part of the two-part work Luke-Acts, Acts has significant links to the gospel of Luke. Major turning points in the structure of Acts, for example, find parallels in Luke the presentation of the child Jesus in the Temple parallels the opening of Acts in the Temple, Jesus forty days of testing in the wilderness prior to his mission parallel the forty days prior to his Ascension in Acts, the mission of Jesus in Samaria and the Decapolis (the lands of the Samaritans and Gentiles) parallels the missions of the Apostles in Samaria and the Gentile lands, and so on (see Gospel of Luke). These parallels continue through both books.[39] There are also differences between Luke and Acts, amounting at times to outright contradiction. For example, the gospel seems to place the Ascension on Easter Sunday, immediately after the Resurrection, while Acts 1 puts it forty days later.[40] There are similar conflicts over the theology. While not seriously questioning the single authorship of Luke-Acts, these differences do suggest the need for caution in seeking too much consistency in books written in essence as popular literature.[41] Pauline epistles[edit] Acts agrees with Paul s letters on the major outline of Paul s career as Saul he is converted and becomes Paul the Christian missionary and apostle, establishing new churches in Asia Minor and the Aegean and struggling to free Gentile Christians from the Jewish Law. There are also agreements on many incidents, such as Paul s escape from Damascus, where he is lowered down the walls in a basket. But details of these same incidents are frequently contradictory for example, according to Paul it was a pagan king who was trying to arrest him in Damascus, but according to Luke it was, characteristically, the Jews (2 Corinthians 11 33 and Acts 9 24). Many of the disagreements are not so immediately obvious Acts speaks of "Christians" and "disciples", but Paul never uses either term, and there are striking differences in the accounts of Paul s relationship with the Jerusalem church and its leaders (Acts 9-15 vs. Galatians 1-2). Acts omits much from the letters, notably Paul s problems with his congregations (internal difficulties are said to be the fault of the Jews instead), and his apparent final rejection by the church leaders in Jerusalem (Acts has Paul and Barnabas deliver an offering that is accepted, a trip that has no mention in the letters). There are also major differences between Acts on Paul on Christology (the understanding of Christ s nature), eschatology (understanding of the "last things"), and apostleship.[42] See also[edit] Historical reliability of the Acts of the Apostles List of Gospels List of omitted Bible verses Textual variants in the Acts of the Apostles Acts of the Apostles (genre) Acts of Andrew Acts of Barnabas Acts of John Acts of the Martyrs Acts of Paul Acts of Paul and Thecla Acts of Peter Acts of Peter and Paul Acts of Peter and the Twelve Acts of Pilate Acts of Philip Acts of Thomas Acts of Timothy The Lost Chapter of the Acts of the Apostles References[edit] ^ Jump up to a b c Burkett 2002, p. 263. ^ Jump up to a b Charlesworth 2008, p. no page number. ^ Jump up to a b Burkett 2002, p. 195. ^ Jump up to a b Matthews 2011, p. 12. Jump up ^ Boring 2012, p. 556. Jump up ^ Burkett 2002, p. 196. Jump up ^ Theissen Merz 1998, p. 32. Jump up ^ Perkins 1998, p. 253. Jump up ^ Boring 2012, p. 590. ^ Jump up to a b Green 1997, p. 35. ^ Jump up to a b c Boring 2012, p. 587. Jump up ^ Theissen Merz 1996 [tr. 1998], p. 32. ^ Jump up to a b Perkins 2009, p. 250-253. Jump up ^ Aune 1988, p. 77. ^ Jump up to a b c Balch 2003, p. 1104. Jump up ^ Bruce 1990, p. 40. Jump up ^ Boring 2012, p. 577. Jump up ^ Witherington 1998, p. 8. Jump up ^ Boring 2012, p. 578. Jump up ^ Bruce 1990, p. 40-41. Jump up ^ Boring 2012, p. 579. Jump up ^ Holladay 2011, p. no page numbers. Jump up ^ Green 1995, p. 16-17. Jump up ^ Green 1997, p. 36. Jump up ^ Fitzmyer 1998, p. 55-65. Jump up ^ Aune 1988, p. 80. ^ Jump up to a b Pickett 2011, p. 6-7. Jump up ^ Boring 2012, p. 562. Jump up ^ Boring 2012, p. 563. ^ Jump up to a b Thompson 2010, p. 332. Jump up ^ Boring 2012, p. 569-570. Jump up ^ Burkett 2002, p. 265. Jump up ^ Burkett 2002, p. 266. Jump up ^ Buckwalter 1996, p. 6. Jump up ^ Allen 2009, p. 326. Jump up ^ Evans 2011, p. no page numbers. Jump up ^ Burkett 2002, p. 264. Jump up ^ Burkett 2002, p. 268-270. Jump up ^ Tremmel 2011, p. 59. Jump up ^ Zwiep 2010, p. 39. Jump up ^ Parsons 1993, p. 17-18. Jump up ^ Boring 2012, p. 581, 588-590.The Acts of the Apostles (Ancient Greek Πράξεις τῶν Ἀποστόλων, Práxeis tôn Apostólōn; Latin Āctūs Apostolōrum), often referred to simply as Acts, is the fifth book of the New Testament; it tells of the founding of the Christian church and the spread of its message to the Roman empire.[1] Acts is the second half of a two-part work, referred to as Luke-Acts, by the same anonymous author, referred to as Luke the Evangelist, and usually dated to around 80-90 CE.[2][3] The first part, the Gospel of Luke, tells how God fulfilled his plan for the world s salvation through the life, death and resurrection of Jesus of Nazareth, the promised Messiah. Acts continues the story of Christianity in the 1st century, beginning with the Ascension of Christ. The early chapters, set in Jerusalem, describe the Day of Pentecost (the coming of the Holy Spirit) and the growth of the church in Jerusalem. Initially the Jews are receptive to the Christian message, but soon they turn against the followers of the Messiah. Rejected by the Jews, under the guidance of the Apostle Peter the message is taken to the Gentiles. The later chapters tell of Paul s conversion, his mission in Asia Minor and the Aegean, and finally his imprisonment in Rome, where, as the book ends, he awaits trial. Luke-Acts is an attempt to answer a theological problem, namely how the Messiah of the Jews came to have an overwhelmingly non-Jewish church; the answer it provides, and its central theme, is that the message of Christ was sent to the Gentiles because the Jews rejected it.[1] Contents [hide] 1 Composition and setting 1.1 Title, unity of Luke-Acts, authorship and date 1.2 Genre, sources and historicity of Acts 1.3 Audience and authorial intent 1.4 Manuscripts 2 Structure and content 2.1 Structure 2.2 Outline 2.3 Content 3 Theology 4 Comparison with other writings 4.1 Gospel of Luke 4.2 Pauline epistles 5 See also 6 References 7 Bibliography 8 External links Composition and setting[edit] Main article Authorship of Luke–Acts Ministry of the Apostles Russian icon by Fyodor Zubov, 1660 Title, unity of Luke-Acts, authorship and date[edit] The title "Acts of the Apostles" (Greek Πράξεις ἀποστόλων Praxeis Apostolon) was first used by Irenaeus in the late 2nd century. It is not known whether this was an existing title or one invented by Irenaeus; it does seem clear, however, that it was not given by the author.[4] The gospel of Luke and Acts make up a two-volume work which scholars call Luke-Acts.[3] Together they account for 27.5% of the New Testament, the largest contribution attributed to a single author, providing the framework for both the Church s liturgical calendar and the historical outline into which later generations have fitted their idea of the story of Jesus and the early church.[5] The author is not named in either volume.[6] According to Church tradition dating from the 2nd century, he was the "Luke" named as a companion of the apostle Paul in three of the letters attributed to Paul himself; this view is still sometimes advanced, but "a critical consensus emphasizes the countless contradictions between the account in Acts and the authentic Pauline letters."[7] (An example can be seen by comparing Acts accounts of Paul s conversion (Acts 9 1-31, 22 6-21, and 26 9-23) with Paul s own statement that he remained unknown to Christians in Judea after that event (Galatians 1 17-24).)[8] He admired Paul, but his theology was significantly different from Paul s on key points and he does not (in Acts) represent Paul s views accurately.[9] He was educated, a man of means, probably urban, and someone who respected manual work, although not a worker himself; this is significant, because more high-brow writers of the time looked down on the artisans and small business-people who made up the early church of Paul and were presumably Luke s audience.[10] The earliest possible date for the composition of Acts is set by the events with which it ends, Paul s imprisonment in Rome c.63 CE, but an early date is now rarely put forward.[11][12] The last possible date would be set by its first definite citation by another author, but there is no unanimity on this–some scholars find echoes of Acts in a work from c.95 CE called I Clement, while others see no indisputable citation until the middle of the 2nd century.[11] If Acts uses Josephus as a source, as has been proposed, then it must have been composed after 93 CE; it does not show any knowledge of Paul s letters, a fact which also supports a late date; and the social situation it reflects is one in which the faithful need "shepherds" to protect them from heretical (possibly Marcionite) "wolves", which again reflects a late date.[11] Most experts therefore date it to around 80-90 CE, although some suggest 90-110, [2] and there is evidence that it was still being substantially revised well into the 2nd century.[13] Genre, sources and historicity of Acts[edit] Luke (or more accurately the anonymous author of Luke-Acts) describes his work, Luke-Acts, as a "narrative" (diegesis). Acts, the second part, is widely thought of as a history, but it lacks exact analogies in Hellenistic or Jewish literature.[14] The title "Acts of the Apostles" (Praxeis Apostolon) would seem to identify it with the genre telling of the deeds and achievements of great men (praxeis), but it was not the title given by the author.[4] Luke seems to have taken as his model the works of two respected Classical authors, Dionysius of Halicarnassus, who wrote a well-known history of Rome, and the Jewish historian Josephus, author of a history of the Jews.[15] Like them he anchors his history by dating the birth of the founder (Romulus for Dionysius, Moses for Josephus, Jesus for Luke) and like them he tells how the founder is born from God, taught authoritatively, and appeared to witnesses after death before ascending to heaven.[15] By and large the sources for Acts can only be guessed at,[16] but Luke would have had access to the Septuagint (a Greek translation of the Jewish scriptures), the gospel of Mark and the collection of "sayings of Jesus" called the Q source.[17] He transposed a few incidents from Mark s gospel to the time of the Apostles – for example, the material about "clean" and "unclean" foods in Mark 7 is used in Acts 10, and Mark s account of the accusation that Jesus has attacked the Temple (Mark 14 58) is used in a story about Stephen (Acts 6 14).)[18] There are also points of contacts (meaning suggestive parallels but something less than clear evidence) with 1 Peter, the Letter to the Hebrews, and 1 Clement.[19] Other sources can only be inferred from internal evidence – the traditional explanation of the three "we" passages, for example, is that they represent eye-witness accounts.[20] The search for such inferred sources was popular in the 19th century, but by the mid-20th it had largely been abandoned.[21] Acts was read as a reliable history of the early church well into the post-Reformation era. By the 17th century, however, biblical scholars began to notice that it was incomplete and tendentious – its picture of a harmonious church is quite at odds with that given by Paul s letters, and it omits important events such as the deaths of both Peter and Paul. The mid-19th century scholar Ferdinand Baur suggested that Luke had re-written history to present a united Peter and Paul and advance a single orthodoxy against the Marcionites. (Marcion was a 2nd-century heretic who wished to cut Christianity off entirely from the Jews). Baur continues to have enormous influence, but today there is less interest in determining Luke s historical accuracy (although this has never died out) than in understanding his theological program.[22] Audience and authorial intent[edit] Luke was written to be read aloud to a group of Jesus-followers gathered in a house to share the Lord s supper.[15] The author assumes an educated Greek-speaking audience, but directs his attention to specifically Christian concerns rather than to the Greco-Roman world at large.[23] He begins his gospel with a preface addressed to Theophilus, informing him of his intention to provide an "ordered account" of events which will lead his reader to "certainty".[10] He did not write in order to provide Theophilus with historical justification – "did it happen?" – but to encourage faith – "what happened, and what does it all mean?"[24] Acts (or Luke-Acts) is intended as a work of "edification."[25] Edification means "the empirical demonstration that virtue is superior to vice,"[26] but is not all of Luke s purpose. He also engages with the question of a Christian s proper relationship with the Roman Empire, the civil power of the day could a Christian obey God and also Caesar? The answer is ambiguous.[27] The Romans never move against Jesus or his followers unless provoked by the Jews, in the trial scenes the Christian missionaries are always cleared of charges of violating Roman laws, and Acts ends with Paul in Rome proclaiming the Christian message under Roman protection; at the same time, Luke makes clear that the Romans, like all earthly rulers, receive their authority from Satan, while Christ is ruler of the kingdom of God. [28] Luke-Acts can be also seen as a defense of (or "apology" for) the Jesus movement addressed to the Jews the bulk of the speeches and sermons in Acts are addressed to Jewish audiences, with the Romans featuring as external arbiters on disputes concerning Jewish customs and law.[27] On the one hand Luke portrays the Christians as a sect of the Jews, and therefore entitled to legal protection as a recognised religion; on the other, Luke seems unclear as to the future God intends for Jews and Christians, celebrating the Jewishness of Jesus and his immediate followers while also stressing how the Jews had rejected God s promised Messiah.[29] Manuscripts[edit] There are two major textual variants of Luke-Acts, the Western text-type and the Alexandrian. The oldest complete Alexandrian manuscripts date from the 4th century and the oldest Western ones from the 6th, with fragments and citations going back to the 3rd. Western texts of Acts are 10% longer than Alexandrian texts, the additions tending to enhance the Jewish rejection of the Messiah and the role of the Holy Spirit, in ways that are stylistically different from the rest of Acts.[30] These conflicts suggest that Luke-Acts was still being substantially revised well into the 2nd century.[13] The majority of scholars prefer the Alexandrian (shorter) text-type over the Western as the more authentic, but this same argument would favour the Western over the Alexandrian for the gospel of Luke, as in that case the Western version is the shorter. The debate therefore continues.[30] Structure and content[edit] Acts 1 1-2a from the 14th century Minuscule 223 Structure[edit] Acts has two key structural principles. The first is the geographic movement from Jerusalem, centre of God s Covenantal people the Jews, to Rome, centre of the Gentile world. This structure reaches back to the author s preceding work, the Gospel of Luke, and is signaled by parallel scenes such as Paul s utterance in Acts 19 21, which echoes Jesus words 9 51 (Paul has Rome as his destination, as Jesus had Jerusalem). The second key element is the roles of Peter and Paul, the first representing the Jewish Christian church, the second the mission to the Gentiles.[31] Transition reprise of the preface addressed to Theophilus and the closing events of the gospel (Acts 1-1 26) Petrine Christianity the Jewish church from Jerusalem to Antioch (Acts 2 1-12 25) 2 1-8 1 - beginnings in Jerusalem 8 2-40 - the church expands to Samaria and beyond 9 1-31 - conversion of Paul 9 32-12 25 - the conversion of Cornelius, and the formation of the Antioch church Pauline Christianity the Gentile mission from Antioch to Rome (Acts 13 1-28 21) 13 1-14 28 - the Gentile mission is promoted from Antioch 15 1-35 - the Gentile mission is confirmed in Jerusalem 15 36-28 31 - the Gentile mission, climaxing in Paul s passion story in Rome (21 17-28 31) Outline[edit] Dedication to Theophilus (1 1–2) Resurrection appearances (1 3) Great Commission (1 4–8) Ascension (1 9) Second Coming Prophecy (1 10–11) Matthias replaced Judas (1 12–26) the Upper Room (1 13) Holy Spirit came at Pentecost (2), see also Paraclete Peter healed a crippled beggar (3 1–10) Peter s speech at the Temple (3 11–26) Peter and John before the Sanhedrin (4 1–22) Resurrection of the dead (4 2) Believers Prayer (4 23–31) Everything is shared (4 32–37) Ananias and Sapphira (5 1–11) Signs and Wonders (5 12–16) Apostles before the Sanhedrin (5 17–42) Seven Greeks appointed (6 1–7) Saint Stephen before the Sanhedrin (6 8–7 60) The "Cave of the Patriarchs" was located in Shechem (7 16) "Moses was educated in all the wisdom of the Egyptians" (7 22) First mentioning of Saul (Paul the Apostle) in the Bible (7 58) Paul the Apostle confesses his part in the martyrdom of Stephen (7 58-60) Saul persecuted the Church of Jerusalem (8 1–3) Philip the Evangelist (8 4–40) Simon Magus (8 9–24) Ethiopian eunuch (8 26–39) Conversion of Paul the Apostle (9 1–31, 22 1–22, 26 9–24) Paul the Apostle confesses his active part in the martyrdom of Stephen (22 20) Peter healed Aeneas and raised Tabitha from the dead (9 32–43) Conversion of Cornelius (10 1–8, 24–48) Peter s vision of a sheet with animals (10 9–23, 11 1–18) Church of Antioch founded (11 19–30) term "Christian" first used (11 26) Saint James the Great executed (12 1–2) Peter s rescue from prison (12 3–19) Death of Herod Agrippa I [in 44] (12 20–25) "the voice of a god" (12 22) Mission of Barnabas and Saul (13–14) "Saul, who was also known as Paul" (13 9) called "gods ... in human form" (14 11) Council of Jerusalem (15 1–35) Paul separated from Barnabas (15 36–41) 2nd and 3rd missions (16–20) Areopagus sermon (17 16-34) "God...has set a day" (17 30–31) Trial before Gallio c. 51–52 (18 12–17) Trip to Jerusalem (21) Before the people and the Sanhedrin (22–23) Before Felix–Festus–Agrippa II (24–26) Trip to Rome (27–28) called a god on Malta (28 6) Content[edit] See also Early Christianity and Jewish Christians The Gospel of Luke began with a prologue addressed to Theophilus; Acts likewise opens with an address to Theophilus and refers to "my earlier book", almost certainly the gospel. The apostles and other followers of Jesus meet and elect Matthias to replace Judas as a member of The Twelve. On Pentecost, the Holy Spirit descends and confers God s power on them, and Peter, along with John, preaches to many in Jerusalem, and performs Christ-like healings, casting out of evil spirits, and raising of the dead. At first many Jews follow Christ and are baptized, but the Christians begin to be increasingly persecuted by the Jews. Stephen is arrested for blasphemy, and after a trial, is found guilty and stoned by the Jews. Stephen s death marks a major turning point the Jews have rejected the message, and henceforth it will be taken to the Gentiles.[32] The message is taken to the Samaritans, a people rejected by Jews, and to the Gentiles. Saul of Tarsus, one of the Jews who persecuted the Christians, is converted by a vision to become a follower of Christ (an event which Luke regards as so important that he relates it three times). Peter, directed by a series of visions, preaches to Cornelius the Centurion, a Gentile God-fearer, who becomes a follower of Christ. The Holy Spirit descends on Peter and Cornelius, thus confirming that the message of eternal life in Christ is for all mankind. The Gentile church is established in Antioch (north-western Syria, the third-largest city of the empire), and here Christ s followers are first called Christians.[33] The mission to the Gentiles is promoted from Antioch and confirmed at meeting in Jerusalem between Paul and the leadership of the Jerusalem church. Paul spends the next few years traveling through western Asia Minor and the Aegean,preaching, converting Gentiles, and founding new churches. On a visit to Jerusalem he is set on by a Jewish mob. Saved by the Roman commander, he is accused by the Jews of being a revolutionary, the "ringleader of the sect of the Nazarenes", and imprisoned. Paul asserts his right as a Roman citizen, to be tried in Rome and is sent by sea to Rome, where he spends another two years under house arrest, proclaiming the Kingdom of God and teaching the "Lord Jesus Christ". Acts ends abruptly without recording the outcome of Paul s legal troubles.[citation needed] Theology[edit] Paul s conversion, from Livre d Heures d Étienne Chevalier (c. 1450–1460), Jean Fouquet, in the Château de Chantilly. Prior to the 1950s Luke-Acts was seen as a historical work, written to defend Christianity before the Romans or Paul against his detractors; since then, however, the tendency has been to see the work as primarily theological.[34] Luke s theology is expressed primarily through his overarching plot, the way scenes, themes and characters combine to construct his specific worldview.[35] His "salvation history" stretches from the Creation to the present time of his readers, in three ages first, the time of "the Law and the Prophets" (Luke 16 16), the period beginning with Genesis and ending with the appearance of John the Baptist (Luke 1 5-3 1); second, the epoch of Jesus, in which the Kingdom of God was preached (Luke 3 2-24 51); and finally the period of the Church, which began when the risen Christ was taken into Heaven, and would end with his second coming.[36] Luke-Acts is an attempt to answer a theological problem, namely how the Messiah promised to the Jews came to have an overwhelmingly non-Jewish church; the answer it provides, and its central theme, is that the message of Christ was sent to the Gentiles because the Jews rejected it.[1] This theme is introduced at the opening of the gospel of Luke, when Jesus, rejected in Nazareth, recalls that the prophets were rejected by Israel and accepted by Gentiles; at the end of the gospel he commands his disciples to preach his message to all nations, "beginning from Jerusalem." He repeats the command in Acts, telling them to preach "in Jerusalem, in all Judea and Samaria, and to the end of the Earth." They then proceed to do so, in the order outlined first Jerusalem, then Judea, then Samaria, then the entire (Roman) world.[37] For Luke, the Holy Spirit is the driving force behind the spread of the Christian message, and he places more emphasis on it than do any of the other evangelists. The Spirit is "poured out" at Pentecost, on the first Samaritan and Gentile believers, and on disciples who had been baptised only by John the Baptist, each time as a sign of God s approval. The Holy Spirit represents God s power (At his ascension, Jesus tells his followers, "You shall receive power when the Holy Spirit has come upon you") through it the disciples are given speech to convert thousands in Jerusalem, forming the first church (the term is used for the first time in Acts 5).[38] Comparison with other writings[edit] Saint Paul Writing His Epistles, ascribed to Valentin de Boulogne, 17th century Gospel of Luke[edit] As the second part of the two-part work Luke-Acts, Acts has significant links to the gospel of Luke. Major turning points in the structure of Acts, for example, find parallels in Luke the presentation of the child Jesus in the Temple parallels the opening of Acts in the Temple, Jesus forty days of testing in the wilderness prior to his mission parallel the forty days prior to his Ascension in Acts, the mission of Jesus in Samaria and the Decapolis (the lands of the Samaritans and Gentiles) parallels the missions of the Apostles in Samaria and the Gentile lands, and so on (see Gospel of Luke). These parallels continue through both books.[39] There are also differences between Luke and Acts, amounting at times to outright contradiction. For example, the gospel seems to place the Ascension on Easter Sunday, immediately after the Resurrection, while Acts 1 puts it forty days later.[40] There are similar conflicts over the theology. While not seriously questioning the single authorship of Luke-Acts, these differences do suggest the need for caution in seeking too much consistency in books written in essence as popular literature.[41] Pauline epistles[edit] Acts agrees with Paul s letters on the major outline of Paul s career as Saul he is converted and becomes Paul the Christian missionary and apostle, establishing new churches in Asia Minor and the Aegean and struggling to free Gentile Christians from the Jewish Law. There are also agreements on many incidents, such as Paul s escape from Damascus, where he is lowered down the walls in a basket. But details of these same incidents are frequently contradictory for example, according to Paul it was a pagan king who was trying to arrest him in Damascus, but according to Luke it was, characteristically, the Jews (2 Corinthians 11 33 and Acts 9 24). Many of the disagreements are not so immediately obvious Acts speaks of "Christians" and "disciples", but Paul never uses either term, and there are striking differences in the accounts of Paul s relationship with the Jerusalem church and its leaders (Acts 9-15 vs. Galatians 1-2). Acts omits much from the letters, notably Paul s problems with his congregations (internal difficulties are said to be the fault of the Jews instead), and his apparent final rejection by the church leaders in Jerusalem (Acts has Paul and Barnabas deliver an offering that is accepted, a trip that has no mention in the letters). There are also major differences between Acts on Paul on Christology (the understanding of Christ s nature), eschatology (understanding of the "last things"), and apostleship.[42] See also[edit] Historical reliability of the Acts of the Apostles List of Gospels List of omitted Bible verses Textual variants in the Acts of the Apostles Acts of the Apostles (genre) Acts of Andrew Acts of Barnabas Acts of John Acts of the Martyrs Acts of Paul Acts of Paul and Thecla Acts of Peter Acts of Peter and Paul Acts of Peter and the Twelve Acts of Pilate Acts of Philip Acts of Thomas Acts of Timothy The Lost Chapter of the Acts of the Apostles References[edit] ^ Jump up to a b c Burkett 2002, p. 263. ^ Jump up to a b Charlesworth 2008, p. no page number. ^ Jump up to a b Burkett 2002, p. 195. ^ Jump up to a b Matthews 2011, p. 12. Jump up ^ Boring 2012, p. 556. Jump up ^ Burkett 2002, p. 196. Jump up ^ Theissen Merz 1998, p. 32. Jump up ^ Perkins 1998, p. 253. Jump up ^ Boring 2012, p. 590. ^ Jump up to a b Green 1997, p. 35. ^ Jump up to a b c Boring 2012, p. 587. Jump up ^ Theissen Merz 1996 [tr. 1998], p. 32. ^ Jump up to a b Perkins 2009, p. 250-253. Jump up ^ Aune 1988, p. 77. ^ Jump up to a b c Balch 2003, p. 1104. Jump up ^ Bruce 1990, p. 40. Jump up ^ Boring 2012, p. 577. Jump up ^ Witherington 1998, p. 8. Jump up ^ Boring 2012, p. 578. Jump up ^ Bruce 1990, p. 40-41. Jump up ^ Boring 2012, p. 579. Jump up ^ Holladay 2011, p. no page numbers. Jump up ^ Green 1995, p. 16-17. Jump up ^ Green 1997, p. 36. Jump up ^ Fitzmyer 1998, p. 55-65. Jump up ^ Aune 1988, p. 80. ^ Jump up to a b Pickett 2011, p. 6-7. Jump up ^ Boring 2012, p. 562. Jump up ^ Boring 2012, p. 563. ^ Jump up to a b Thompson 2010, p. 332. Jump up ^ Boring 2012, p. 569-570. Jump up ^ Burkett 2002, p. 265. Jump up ^ Burkett 2002, p. 266. Jump up ^ Buckwalter 1996, p. 6. Jump up ^ Allen 2009, p. 326. Jump up ^ Evans 2011, p. no page numbers. Jump up ^ Burkett 2002, p. 264. Jump up ^ Burkett 2002, p. 268-270. Jump up ^ Tremmel 2011, p. 59. Jump up ^ Zwiep 2010, p. 39. Jump up ^ Parsons 1993, p. 17-18. Jump up ^ Boring 2012, p. 581, 588-590.
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